浅谈当今书法可创新的限度
发布时间:2018-04-05 16:10
本文选题:创新误区 切入点:限度 出处:《湖北美术学院》2017年硕士论文
【摘要】:书法作为传统艺术,需要创新,但有其自身的限度。由于当今书法创新的限度或者说是标准不太明确,一些前卫者趁虚而入,诋毁扭曲传统书法,使一部分学书者难辨方向,在学书的道路上步履维艰。笔者从一位从事书法实践者的角度着眼,从提高书写实践能力与引导创新方向的目的出发,梳理整个书法发展脉络中的发展创新,再以“三个误区”为切入点,总结规律,提出书法创新的合理方式,以期能为当代习书者在书法创作创新过程中提供些许便利。笔者认为,这就是这篇文章应有的研究意义。本文分为三个章节:第一章简要说明书法创新的必要性,以及从书体演变过程看书法艺术的不断创新,演变本身亦是创新;第二章分析当今书法创新的三个误区,即书法作品同抽象水墨作品的混淆、书法作品和文字作品的混淆及书法释读作用的忽视,由此三个误区得出书法创新的限度是“用毛笔书写能够传情达意的汉字”这一初步结论;第三章旨在分析书法创新的可行性路径,书法创新要建立在古代标准之上,应顺应当代社会环境,融入当代气息,有时代特色,而且需同群体一起探讨其应有的标准。最终论证出:书法创新的限度是“有一定技法基础的人用毛笔写出能够传情达意且符合当代审美要求的字”。
[Abstract]:As a traditional art, calligraphy needs innovation, but it has its own limits.As the limits or standards of calligraphy innovation are not clear, some avant-garde people take advantage of the virtual, vilification and distortion of traditional calligraphy, so that some students difficult to distinguish the direction of the book on the road to learn books.From the point of view of a calligraphic practitioner, from the point of view of improving the ability of writing practice and guiding the direction of innovation, the author combs the development and innovation in the whole development of calligraphy, and then takes "three misunderstandings" as the starting point to sum up the rules.The reasonable ways of calligraphy innovation are put forward in order to provide some convenience for contemporary calligraphers in the process of calligraphy creation innovation.In my opinion, this is the research significance of this article.This paper is divided into three chapters: the first chapter briefly explains the necessity of calligraphy innovation, and the continuous innovation of calligraphy art from the process of calligraphy evolution, the evolution itself is also innovation, the second chapter analyzes the three misunderstandings of calligraphy innovation.That is, the confusion between calligraphy works and abstract ink works, the confusion between calligraphy works and written works, and the neglect of calligraphy interpretation.Therefore, the limit of calligraphy innovation is "writing Chinese characters with brush", which is a preliminary conclusion. The third chapter aims to analyze the feasible path of calligraphy innovation, which should be established on the basis of ancient standards.It is necessary to conform to the contemporary social environment, integrate into the contemporary atmosphere, have the characteristics of the times, and discuss its proper standards together with the group.Finally, it is demonstrated that the limit of calligraphy innovation is that "people with certain technical basis write characters which can convey feelings and meet the requirements of contemporary aesthetics."
【学位授予单位】:湖北美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J292.1
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1 杨云惠;浅谈当今书法可创新的限度[D];湖北美术学院;2017年
,本文编号:1715503
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