论杨争光小说的喜剧性

发布时间：2018-05-01 21:41

本文选题：杨争光 + 喜剧性　；参考：《沈阳师范大学》2017年硕士论文

【摘要】：杨争光于八十年代步入文坛从事文学创作,与贾平凹、陈忠实两位作家并称为陕西“三宝”,而评论界对于杨争光的文学创作研究却有所忽视,尤其是对其作品中表现出来的喜剧性内涵的研究较为匮乏。本文以杨争光的小说作品为主要研究内容,从其小说所表现出来的喜剧性入手阐释作者独特的美学品味,旨在对杨争光小说作品喜剧性挖掘的基础上,增强社会对喜剧性文学作品的认识,匡正当下文学和文化中的娱乐至死的喜剧性滥用,并借以呼唤更多有价值、有意义的喜剧性文艺作品。本文从核心概念喜剧性入手,分四个部分论证杨争光小说作品中的喜剧性内涵及美学呈现。第一部分分析杨争光故乡陕西文化对他的熏陶,并探讨作者的生活环境、政治背景及后天的生活经历对喜剧思维形成的影响,以及在从事影视剧创作后对其作品中喜剧性的影响,指出其小说创作喜剧性的文化生成及发展脉络。第二部分通过对杨争光作品中由生活逻辑和人物性格的逻辑的合力所规定的喜剧性情势进行深入剖析,分析作者对乡村荒谬生存状态的反思和揭示,以及将作者笔下具有代表性的喜剧人物进行分类,来分析其小说所呈现的内在喜剧性内涵。第三部分从喜剧性的外在特征入手,对杨争光小说作品中原生态语言的喜剧效果、拆解重构中的喜剧性表达以及喜中有悲的含泪的笑等三个方面进行分析,借助对作品中的人物塑造和情节建构以及场景的渲染,深刻地揭示了生活在物质和精神层面都很欠缺的中国传统农村的农民们内心世界,并通过这些来表现出作者对这些生命深深的忧虑。并指明杨争光小说的喜剧性会给读者的的精神层面造成一这定程度的影响,让人们在体会到外在的欢愉背后所隐藏的人性所固有的弱点,从而让人们去追寻真正的真、善、美的理想。第四部分探讨杨争光小说创作的美学品质,从作者对五四以来传统乡土小说中喜剧传统的继承和发展、将杨争光与同时代小说家作品中所蕴含的喜剧性进行对比研究,进而突显其独特的艺术个性和作为黄土地之子的杨争光在喜剧外表下胸怀对农民的悲悯情怀,深入阐释杨争光小说喜剧性品格在中国文学史上的意义和影响。
[Abstract]:In the 1980s, Yang Zhiguang entered the literary world to engage in literary creation. He was called the "three treasures" of Shaanxi Province with two writers, Jia Pingao and Chen Zhongshi, but the critics ignored the study of Yang Zhiguang's literary creation. In particular, the study of the comic connotation in his works is relatively scarce. This paper takes Yang Zhiguang's novels as the main research content, and explains the author's unique aesthetic taste from the comedy of his novels, aiming at excavating the comedy of Yang Zhiguang's novels. To strengthen the society's understanding of comic literary works, correct the tragic abuse of entertainment to death in current literature and culture, and call for more valuable and meaningful comic literary works. Starting with the core concept of comedy, this paper discusses the connotation and aesthetic presentation of comedy in Yang Zhiguang's novels in four parts. The first part analyzes the influence of Yang Zhiguang's native Shaanxi culture on him, and discusses the influence of the author's living environment, political background and life experience on the formation of comedy thinking. It also points out the cultural formation and development of comedy in his novels. The second part analyzes deeply the comic situation stipulated by the combination of life logic and character logic in Yang Zhiguang's works, and analyzes the reflection and revelation of the absurd living state in the countryside. And the representative comic characters in the author's works are classified to analyze the intrinsic comic connotation of his novels. The third part analyzes the comedy effect of original ecological language in Yang Zhiguang's novels, the comic expression in dismantling and reconstructing, and the sad tearful smile. With the help of the portrayal of characters, plot construction and scene rendering in the works, the inner world of the peasants living in the traditional Chinese countryside, which is lacking in both material and spiritual level, is deeply revealed. And through these to express the author's deep concern for these lives. It also points out that the comedy of Yang Zhengguang's novels will cause a certain degree of influence on the spiritual level of the readers, so that people can realize the inherent weaknesses of human nature hidden behind the external pleasure, and then let people pursue the true truth and the good. The ideal of beauty. The fourth part probes into the aesthetic quality of Yang Zhiguang's novel creation. From the author's inheritance and development of the comedy tradition in the traditional local novels since the May 4th Movement, the author makes a comparative study of the comedy in the works of Yang Zhengguang and the contemporary novelists. Then it highlights his unique artistic personality and Yang Zhiguang's compassion for farmers under the appearance of comedy, and explains in depth the significance and influence of Yang Zhiguang's comic character in the history of Chinese literature.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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