贵州黔东南掌坳苗族铜鼓音乐研究

发布时间：2018-05-15 19:26

本文选题：苗族 + 掌坳村　；参考：《贵州民族大学》2015年硕士论文

【摘要】：铜鼓,作为贵州黔东南掌坳苗族村一个富有代表性的符号,是流传于民间的一种音乐样式,它包含苗族同胞的生存环境、风俗习惯、文化传承、生产生活以及情感因素等多方面的内容,是掌坳苗族人民日常生活中不可或缺的重要组成部分,是他们精神的外在呈现。在我国音乐发展的进程中,少数民族传统文化面临着现代社会的巨大挑战,一些文化现象逐渐淡化或者消失,它们的生存与发展是当下亟待解决的问题,需要加以保护和扶持。因此,本文将通过对贵州黔东南掌坳苗族铜鼓音乐的研究来推动各界人士对少数民族文化遗产的保护、传承和发展。本文从铜鼓音乐的衍生的自然环境和苗族同胞们的风俗习惯入手,对掌坳村进行多次的实地田野调查与访谈获取第一手资料,在搜集各类文献资料的基础上,将理论与实践结合,采用民族音乐学、音乐人类学、音乐学、人类学、民族学等理论与方法,从历史沿革、现状、形态特征、变迁以及传承等多方面对掌坳苗族铜鼓音乐进行分析和阐述。具体来说本文贵州黔东南掌坳苗族铜鼓音乐研究主要涵盖了以下内容:首先,绪论部分阐述了笔者选题的缘由及意义,梳理了国内对掌坳苗族铜鼓音乐和对铜鼓音乐研究的现状,并且对运用的研究方法进行说明。第一章对掌坳苗族铜鼓音乐衍生的自然与人文环境进行了描述和介绍。自然环境主要介绍了气候、地貌、植被、海拔、方位、雨量、农作物等因素;人文环境主要介绍掌坳苗族村的建制沿革、民族概况、文化信仰以及衣食住行等方面的内容。第二章以掌坳苗族铜鼓的源流、类型及现状为切入点,对铜鼓的起源、铜鼓的原始形态、铜鼓类型划分、铜鼓的流传、铜鼓的沿用习俗、铜鼓的演奏形式以及铜鼓的乐器型制进行分析和说明。第三章主要描述掌坳苗族铜鼓音乐形态,从铜鼓音乐的表现功能、方式方法、表现场合、表现内容进行探究,再从铜鼓音乐的音乐形态入手,其主要包括演奏音响、节律节奏和代表鼓谱,着重分析研究掌坳苗族铜鼓的艺术形态特征。第四章主要论述掌坳苗族铜鼓音乐传承的变迁与其未来展望。分别从传承人、传承环境和传承方式方法等方面进行分析阐述,再从传承的必要性和措施提出见解,最后对铜鼓艺术的专业升华进行展望。最后,结语部分对本论文进行总结。
[Abstract]:As a representative symbol of the Miao village in the southeastern Guizhou province, Tonggu is a kind of folk music style, which contains the living environment, customs and cultural heritage of the Miao people. Production and life as well as emotional factors are the indispensable part of the daily life of the people of Zhangao and Miao nationality and the external appearance of their spirit. In the process of music development in China, the traditional culture of ethnic minorities is facing a great challenge of modern society, some cultural phenomena gradually fade down or disappear, their survival and development is a problem to be solved urgently, which needs to be protected and supported. Therefore, this paper will promote the protection, inheritance and development of minority cultural heritage through the research on the bronze drum music of the Miao nationality in Qiandongnan, Guizhou province. Starting from the natural environment derived from the Tonggu music and the customs and habits of the Miao people, this paper conducts many field investigations and interviews in Zhangao Village to obtain first-hand information, and on the basis of collecting all kinds of literature, Combining theory with practice, adopting theories and methods of ethnomusicology, musical anthropology, musicology, anthropology, ethnology, etc., from the historical evolution, present situation, morphological characteristics, etc. Changes and inheritance of many aspects of the Zhangao Miao bronze drum music analysis and elaboration. Specifically, this paper mainly covers the following contents: first, the introduction describes the reasons and significance of the author's topic. This paper reviews the current situation of the research on copper drum music and copper drum music in Zhangao and Miao nationality in China, and explains the research methods used. The first chapter describes and introduces the natural and human environment derived from the bronze drum music of Zhangao and Miao nationality. The natural environment mainly introduces the factors such as climate, landform, vegetation, altitude, azimuth, rainfall, crops and so on, and the humanistic environment mainly introduces the institutional evolution, national general situation, cultural beliefs, clothing, food, shelter and so on of Zhangao Miao village. In the second chapter, the origin, type and current situation of the bronze drum of Zhangao and Miao nationality are taken as the starting point, and the origin, the primitive form, the classification of the type of the bronze drum, the spread of the bronze drum, and the custom of the bronze drum are introduced. The form of playing the bronze drum and the musical instrument system of the bronze drum are analyzed and explained. The third chapter mainly describes the form of bronze drum music in Zhangao and Miao nationality. It explores the performance function, method, occasion and content of bronze drum music, and then begins with the music form of bronze drum music, which mainly includes playing sound. The rhythmic rhythm and the representative drum spectrum are analyzed and the artistic characteristics of the bronze drum in Zhangao and Miao nationality are studied. The fourth chapter mainly discusses the evolution and future prospects of bronze drum music inheritance of Zhangao Miao nationality. Respectively from the inheritors, heritage environment and inheritance methods and other aspects of analysis and elaboration, and then from the inheritance of the necessity and measures to put forward ideas, finally, the art of bronze drum professional sublimation prospects. Finally, the conclusion summarizes this paper.
【学位授予单位】：贵州民族大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J632.52

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