论新媒体对传统表演艺术中场域媒介的解构与重建

发布时间：2018-06-02 03:26

本文选题：传统表演艺术 + 场域媒介　；参考：《福建师范大学》2015年硕士论文

【摘要】：本文以美国传播学者A·哈特提出的三大媒介系统的观念作为研究视点和理论框架,以传统表演艺术传播场域从单一自然物理空间到多元、多样化构成的演变为主线,对中国传统表演艺术各具体门类的传播形态及其变化进行考察和探讨,分析不同媒介系统下,传统表演艺术在不同场域媒介平台上的传播规律。以地方戏曲、曲艺、皮影戏、杂技、木偶戏、中国民乐等为代表的传统表演艺术博大精深,其富有特色的表演组织形式一直被沿用至今,展现了中国传统文化的独有魅力。本文认为,在这些传统表演艺术的长期流变中,传播者与受者的信息互动与交流,已经演变妯较固定的传、受形态,从而衍生出具有媒介功能的一些特定空间场域。这些空间场域可以视作一种“场域媒介”。传统表演艺术的传播就是基于一定的“场域媒介”平台之上而进行的。传统表演艺术在示现媒介系统的环境条件下受传媒技术制约,必须在同一时间、地点、完成一次性的人际传播。进入现代社会,广播、电视、网络等新型传播媒介先后兴起和普及,它们的盛行将艺术传播带入了机器媒介系统。传统表演艺术传播所依托的、自然物理空间型的“场域媒介”被解构,在示现媒介系统中进行传播的传统表演艺术,也因此受到极大的冲击。中国传统的表演艺术因此在相当一段时间中渐趋式微。但是,在数字化新媒体的进一步发展中,尤其是以互动性显著提升和日益显得重要的WEB2.0时代,以及互联网+时代,传统表演艺术的传播平台又得以在新的媒介技术条件和受众需求背景下,得以被重建,形成了新的“场域媒介”。这种新型“场域媒介”超越原有的限定于同一时间、地点,一次性完成的原生性“场域媒介”,而在很大程度上接近了法国思想家彼埃尔·布迪尔在其文化研究理论中所用的“场域(field)”概念的含义,成为一种在社会和精神、文化联系的纽带关系中形成的范畴,从而为传统文化和表演性艺术的传播提供了一个更加便利和高效的平台。
[Abstract]:This paper takes the concept of three media systems put forward by American communications scholar A. Hart as the research viewpoint and theoretical framework, and takes the evolution of the traditional field of communication of performing arts from a single physical space to a pluralistic and diversified composition as the main line. This paper investigates and probes into the communication forms and changes of various specific categories of Chinese traditional performing arts, and analyzes the spreading rules of traditional performing arts on different media platforms in different media systems. The traditional performing arts, represented by local opera, quyi, shadow play, acrobatics, puppet show and Chinese folk music, are extensive and profound, and their characteristic forms of performance organization have been used up to now, showing the unique charm of Chinese traditional culture. This paper holds that in the long-term evolution of these traditional performing arts, the interaction and exchange of information between the communicator and the recipient has evolved into a relatively fixed transmission and receiving form, thus deriving some special spatial fields with media functions. These spatial fields can be regarded as a "field medium". The dissemination of traditional performing art is based on a certain "field media" platform. The traditional performing art is restricted by the media technology under the environment condition of the display media system, and must complete the one-off interpersonal communication at the same time and place. Into the modern society, radio, television, network and other new media has emerged and popularized, their popularity into the machine media system. The traditional performing arts which rely on the natural physical space "field media" are deconstructed, and the traditional performing arts which spread in the display media system are also greatly impacted. As a result, the traditional Chinese performing arts have declined for quite some time. However, in the further development of new digital media, especially in the era of WEB2.0, which is becoming more and more important and interactive, and the era of Internet, The communication platform of traditional performing arts can be rebuilt under the new media technical conditions and audience needs, forming a new "field media". This new type of "field media" transcends the original "field media", which is limited to the same time, place, and one-time completion. To a great extent, it is close to the meaning of the concept of "field", which is used by the French thinker Pierre Boudier in his theory of cultural research, and has become a category formed in the bond relationship between society and spirit and culture. Thus provides a more convenient and efficient platform for the dissemination of traditional culture and performance art.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：G206

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