世纪的交响—论克里姆特绘画的音乐性

发布时间：2018-06-04 07:42

本文选题：克里姆特 + 绘画　；参考：《青岛大学》2017年硕士论文

【摘要】：19世纪下半叶,奥地利首都维也纳开启了绘画、音乐等艺术领域的黄金时代。该时期各门类艺术彼此交融、渗透,形成一种综合性的“整体艺术”思潮,象征主义画家古斯塔夫·克里姆特(Gustav Klimt,1862-1918)是该时期最具代表人物之一。克里姆特的绘画艺术往往给人情欲与装饰的印象,其中蕴含的音乐性却常常被忽视。不同艺术门类之间存在通感效应,绘画与音乐之间也存在共性关系,这都为本文研究克里姆特绘画的音乐性提供了理论依据和可能性。本文将从多个角度分析克里姆特绘画中的音乐性。第一章从克里姆特的成长环境与所处的社会背景两方面论述他与音乐的不解之缘;第二章着重解析克里姆特的音乐主题类绘画;第三章通过研究绘画与音乐外在与内在的共性,论述克里姆特绘画与音乐的联系。通过对克里姆特绘画的音乐性分析,发掘其独特的艺术价值。
[Abstract]:In the second half of the 19th century, Vienna, the Austrian capital, opened the golden age of painting and music. In this period, various kinds of art intermingled and infiltrated each other, forming a comprehensive trend of thought of "whole art". Gustav Klimtn Gustav Klimtn (1862-1918), a symbolic painter, was one of the most representative figures of this period. Klimt's painting often gives the impression of sensuality and decoration, but the musicality of it is often ignored. There is synaesthesia effect between different artistic categories and there is a common relationship between painting and music, which provides a theoretical basis and possibility for this paper to study the musicality of Klimt's painting. This article will analyze the musicality of Klimt's paintings from several angles. The first chapter discusses the inextricable relationship between Klimt and music from the two aspects of his growing up environment and his social background; the second chapter focuses on the analysis of Klimt's music-themed paintings; the third chapter studies the external and internal commonalities of painting and music. This paper discusses the relationship between Klimt's painting and music. By analyzing the musicality of Klimt's painting, the author explores its unique artistic value.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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