湖南耒阳民歌研究

发布时间：2018-06-21 13:30

本文选题：耒阳民歌 + 湖南民歌　；参考：《中国音乐学院》2017年硕士论文

【摘要】：在我国,有着漫长的民族文化传统和深沉的艺术积淀传统地方民歌,随着新时代知识经济的快速发展,在新的历史时期有了长足的发展,传统地方民歌与通俗流行歌曲之间的联系也日益紧密。湖南耒阳地区的民歌,风格独特,简约质朴,它们是华夏民族五千年绚丽非物质文化遗产中的重要瑰宝,更是一代代耒阳人为全人类的文化事业发展做出的杰出贡献。取材广泛、感情丰富的耒阳民歌,与现实生活的方方面面都有涉及,深刻地反映了社会生产、生活在耒阳人民心中所引发的情绪、情感。耒阳民歌是我国古代小农经济社会发展的宝贵成果,它见证着不同时代背景下耒阳人民的审美思维的演变,在传承和发展传统文化的同时也有着时代性,在新时代多样化的音乐中仍然葆有其独特的艺术魅力。耒阳民歌内容丰富、体裁多样,山歌、劳动号子、小调、田歌是耒阳民歌在民歌理论上大致的区分。本文以湖南耒阳地区的民歌为研究对象,从声乐演唱和民歌发展的角度出发,对耒阳民歌的历史文化渊源,地方特色风格和专有的演唱技法进行系统归纳和分析研究。在对耒阳民歌的演唱方法进行整理和提炼的基础上,剖析湖南耒阳民歌声乐演唱的艺术特点和地方色彩。试图为进一步深入研究耒阳民歌提供一点微小的研究参考,为地方传统民歌在当下的学习及弘扬提供实证借鉴并提出自己的思考。本文主要内容如下:第一章简介耒阳民歌孕育的地理文化环境。从催生耒阳民歌的地理环境、经济状况、文化渊源与社会结构以及传统耒阳社会的风土人情、语言特点等方面来详细分析耒阳地理、文化环境在耒阳民歌发展中起到的不容小觑的作用。第二章和第三章根据中国民歌的分类,对耒阳民歌进行分类整理,详细阐述耒阳民歌的调式、音阶、旋法、音域、音程等音乐特色方面。第四章总结出耒阳民歌的地方特色,具体到耒阳民歌的语言、音调、歌词的表达手法等,总结出了耒阳民歌的特有演唱技法。第五章介绍耒阳民歌在现今的传承和发展状况。通过对耒阳民歌的传唱现状进行分析,并结合笔者自身,在经过多年系统科学的声乐发声方法的基础上,提出地方民歌传承在学校音乐教育中的思考。
[Abstract]:In China, there is a long tradition of national culture and deep artistic accumulation of traditional local folk songs. With the rapid development of knowledge economy in the new era, there has been considerable development in the new historical period. Traditional local folk songs and popular songs are increasingly closely linked. The folk songs in Leiyang area of Hunan Province are unique in style and simple. They are important treasures of the five thousand years gorgeous intangible cultural heritage of the Chinese people and are also the outstanding contributions made by Leiyang for the development of the cultural cause of all mankind from generation to generation. Leiyang folk songs, which are widely used and rich in feelings, are involved in all aspects of real life, reflecting deeply the emotions and emotions caused by social production and living in the hearts of people in Leiyang. Leiyang folk song is the precious achievement of the development of the small peasant economy and society in ancient China. It bears witness to the evolution of the aesthetic thinking of the people in Leiyang under the different background of the times. It inherits and develops the traditional culture at the same time it also has the nature of the times. In the new era of diversified music still retain its unique artistic charm. Leiyang folk songs are rich in content, diverse in genres, folk songs, labor numbers, minor tune, and Tian Ge are roughly distinguished from Leiyang folk songs in theory. This paper takes the folk songs in Leiyang area of Hunan Province as the research object, from the angle of vocal music singing and folk song development, systematically induces and analyzes the historical and cultural origin, local characteristic style and special singing techniques of Leiyang folk songs. Based on the arrangement and refinement of the singing methods of the folk songs in Leiyang, this paper analyzes the artistic characteristics and local colors of the vocal music singing in the folk songs of Leiyang in Hunan Province. This paper tries to provide a little reference for the further study of Leiyang folk songs, to provide empirical reference for the study and development of local traditional folk songs in the present and to put forward their own thinking. The main contents of this paper are as follows: the first chapter introduces the geographical and cultural environment nurtured by Leiyang folk songs. The geographical environment, economic situation, cultural origin and social structure of Leiyang folk songs, the local customs and language characteristics of traditional Leiyang society are analyzed in detail from the geographical environment, economic situation, cultural origin and social structure of Leiyang folk song. The cultural environment plays an important role in the development of Leiyang folk songs. According to the classification of Chinese folk songs, the second and third chapters classify the folk songs of Leiyang, and expound in detail the music characteristics of Leiyang folk songs, such as mode, scale, rotation, range, interval and so on. The fourth chapter summarizes the local characteristics of Leiyang folk songs, specifically to Leiyang folk songs language, tone, lyric expression techniques, summed up Leiyang folk songs unique singing techniques. The fifth chapter introduces the inheritance and development of Leiyang folk songs. Based on the analysis of the present situation of the folk songs in Leiyang and the author's own, on the basis of many years of systematic and scientific vocal music vocalization methods, the author puts forward the thinking of the local folk song inheritance in the school music education.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J607

【参考文献】