内蒙古草原题材微电影艺术性研究

发布时间：2018-06-27 14:28

本文选题：草原题材 + 微电影　；参考：《内蒙古大学》2015年硕士论文

【摘要】：作为一种自由表达和自娱自乐的电影形态,微电影的出现无疑是时代的产物。微电影自诞生之日起,便引来广泛关注。近年来,微电影的发展使中国进入了电影的“全民时代”。随着作品数量日趋猛增,以猎奇、吸睛、戏说、恶搞来搏求点击率成为多数微电影创作的动力,使得作品对艺术性的追求日渐模糊。作为少数民族地区,内蒙古在时代的潮流中,在民族文化丰富底蕴的孕育中涌现出了大批的以草原生活为题材的微电影作品。本文结合微电影的发展现状,对内蒙古草原题材微电影的艺术性进行研究。全文分为六个部分,引言、四个章以及结语。第一章界定内蒙古草原题材微电影,概述其产生和发展的简要情况。第二章通过对具体例证的归纳、分析,梳理内蒙古草原题材微电影在题材选择、主题确立、艺术结构、视听效果、传播过程五个方面形成的艺术特征。第三章从美学功能和社会功能阐述内蒙古草原题材微电影的现实意义。第四章通过对比国内外优秀微电影,思考内蒙古草原题材微电影的不足,以期内蒙古微电影长足发展。透过微电影这扇传统民族文化和现代科技融合的视窗,我们领略内蒙古地区的自然人文景观、民族风情和民族性格；解读草原文化的深刻内涵；更重要的是,通过了解草原人民的生存现状和现实问题,深切领悟作品所传递的思想和情感,意在对微电影的艺术性形成一定的关注度,这也是本文研究的目的和初衷之一。
[Abstract]:As a form of free expression and entertainment, the emergence of micro-film is undoubtedly the product of the times. Micro-film has attracted wide attention since its birth. In recent years, the development of micro-film has made China enter the "national era". With the increasing increase in the number of works, the pursuit of artistry has become the driving force of most micro-film creation, and the pursuit of artistry has become increasingly blurred. As a minority region, in the trend of the times, a large number of micro-film works with the theme of grassland life emerged in the gestation of rich national culture. This paper studies the artistry of Inner Mongolia grassland-themed micro-film based on the development of micro-film. The full text is divided into six parts, introduction, four chapters and conclusion. The first chapter defines the Inner Mongolia grassland subject matter micro-film, summarizes its generation and the development brief situation. The second chapter through the concrete example induction, the analysis, combs the Inner Mongolia prairie subject matter micro film in the theme choice, the theme establishment, the artistic structure, the audio-visual effect, the dissemination process five aspects forms the artistic characteristic. The third chapter expounds the realistic significance of Inner Mongolia grassland theme micro-film from aesthetic function and social function. In the fourth chapter, by comparing domestic and foreign excellent micro films, I think about the shortage of Inner Mongolia grassland subject matter micro film, in order to make great progress of Inner Mongolia micro film. Through microfilm, a window of traditional national culture and modern science and technology, we have a taste of the natural and humanistic landscape, ethnic customs and national character of Inner Mongolia; understand the profound connotation of prairie culture; and, more importantly, Through understanding the existing situation and realistic problems of the grassland people, deeply understand the ideas and emotions transmitted by the works, which is intended to form a certain degree of attention to the artistry of micro-films, which is also one of the purposes and original intention of this study.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

【参考文献】