动画色彩的民族性表现研究

发布时间：2018-07-09 09:48

本文选题：动画色彩 + 民族性表现　；参考：《武汉理工大学》2015年硕士论文

【摘要】：色彩是动画创作中是最为直观一个的视觉元素,它有其独到的魅力,是影片中信息传达,情感表达以及推动剧情发展的重要手段。色彩在动画创作中的经营主要来源于现实生活中对客观色彩的经验认知和对主观色彩的审美情趣,在动画创作中,利用客观色彩还原客观真实性,运用主观色彩创造主观艺术性。不同国家或民族对色彩的体验和认知是不同的,会引起不同的色彩心理,影响其对色彩的审美和应用,动画色彩的民族性表现也由此产生。本文将“色彩地理学”这一学说引入动画色彩民族性表现的研究中,作为动画色彩民族性表现研究的科学理论依据,本文第一章绪论阐述了课题研究背景、选题来源和研究的目的及意义等,为本文课题研究打下基础。本文第二章梳理了动画色彩的基本概念及动画影片中色彩的心理效应的运用,论述色彩在动画中的表现和作用。本文从第三章开始引入“色彩地理学”理论学说,简述“色彩地理学”的研究方法和结论,提取其中“自然地理和人文地理这两方面的因素能够决定一个地区或城市建筑的色彩”的观点,引申到动画色彩民族性表现的成因研究中,以此为切入点,分析两个因素对动画色彩民族性表现的影响。本文着重分析人文地理中文化和审美,列举不同文化下动画色彩的表现。景观建筑作为影响动画场景色彩民族性表现的重要因素,在本文中将这一因素提取出来进行分析。从对动画色彩民族性表现成因的探析中,归纳总结动画色彩民族性表现的特点。第五章对动画色彩的民族性表现进行具体分析。分析动画创作的两大主体“角色”和“场景”中色彩运用的具体表现,列举分析经典动画案例,分析客观色彩和主观色彩在色彩纯度和明度上的不同选择及色彩的不同搭配方法。现阶段文化交流越来越来频繁,动画作品题材的国际性越来越强,表现异国风情和题材的动画作品愈来愈多,成功表现异国风情的动画作品中在还原异国色彩风格的同时也融入本国对色彩的理解和审美,受其影响但仍保持自己独特的色彩风格。作者希望通过研究动画色彩的民族性表现,分析其影响因素,得出动画色彩民族性表现的特性,使其运用到中国的动画创作中,促进中国动画产业在国际上的向上发展,帮助中国动画形成自己特色的色彩风格,在不同题材的动画作品中能够有更好的色彩表现。
[Abstract]:Color is the most intuitive visual element in animation creation, it has its unique charm, and it is an important means to convey information, express emotion and promote the development of plot in the film. The management of color in animation creation mainly comes from the experience cognition of objective color and aesthetic interest of subjective color in real life. In animation creation, objective color is used to restore objective authenticity. Use subjective color to create subjective artistry. Different countries or nations have different experience and cognition of color, which will cause different color psychology, affect its aesthetic and application to color, and the national expression of animation color will also come into being. In this paper, the theory of "color geography" is introduced into the study of animation color nationality performance, as the scientific theoretical basis of animation color nationality performance research. The first chapter of this paper describes the background of the subject. The origin of the topic and the purpose and significance of the study lay the foundation for the research of this paper. The second chapter combs the basic concept of animation color and the application of psychological effect of color in animation film, discusses the expression and function of color in animation. In this paper, the theory of "color geography" is introduced from the third chapter, and the research methods and conclusions of "color geography" are briefly introduced. The viewpoint that "the natural geography and the human geography can determine the color of a region or city building" is extracted, which is extended to the study of the origin of the national expression of animation color, which is regarded as a breakthrough point. This paper analyzes the influence of two factors on the performance of animation color nationality. This paper focuses on the cultural and aesthetic analysis of human geography, enumerating the color of animation under different cultures. Landscape architecture is an important factor to affect the performance of color nationality of animated scenes, which is extracted from this paper for analysis. This paper sums up the characteristics of animation color nationality from the analysis of the causes of animation color nationality expression. The fifth chapter of the animation color of the national performance of a specific analysis. This paper analyzes the concrete performance of color application in the two main bodies of animation creation, "role" and "scene", and enumerates and analyzes classic animation cases. This paper analyzes the different choice of objective color and subjective color in color purity and brightness, and the different collocation method of color. At this stage, cultural exchanges are becoming more and more frequent, and the subject matter of animation works is becoming more and more international, and there are more and more animated works that express exotic customs and themes. The successful performance of exotic animation works in the restoration of foreign color style, but also into the national understanding of color and aesthetic, affected by it, but still maintain their own unique color style. The author hopes to study the national characteristics of animation color, analyze its influencing factors, and obtain the characteristics of animation color nationality, so that it can be applied to the animation creation of China, and promote the international development of Chinese animation industry. Help Chinese animation to form their own color style, in different subjects of animation works can have better color performance.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J954

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