浪漫主义音乐在电影中的应用研究
发布时间：2018-07-24 10:49
【摘要】：“浪漫”一词于17世纪被初次使用,这一词汇有着异想天开的、虚构的、奇妙的含义,所描绘的是一个与现实世界相对比的,理想的世界,或是想象的世界。从广义上讲,“浪漫主义”指的是一种早已存在的创作方法或创作倾向;从狭义上讲,浪漫主义是指19世纪欧洲各国出现的一种美学思潮和艺术流派,在音乐、绘画等领域都出现了浪漫派。浪漫主义音乐通常指19世纪前后一百多年间继维也纳古典乐派之后的一个西方音乐流派。浪漫主义音乐注重个人情感的表达、对自然的热爱和对未来的幻想。电影音乐是电影的重要组成部分,电影音乐包括主题歌、主题曲、插曲、场景音乐、背景音乐等。电影音乐可以渲染气氛、烘托人物、深化主题、制造节奏、参与叙事等等。浪漫主义音乐作为电影音乐中常用的一类,与电影有着许多潜在关系,将浪漫主义音乐应用于电影之中,探究浪漫主义音乐在电影中的应用,尤为重要。文章先对电影音乐与浪漫主义音乐分别进行概述,然后阐释浪漫主义音乐与电影的潜在关系,包括对其他艺术门类的融合与借鉴,音乐的幻想性与电影的梦幻性,标题音乐及艺术歌曲与电影的主题传达三个方面。其中,浪漫主义音乐和电影第一个潜在关系在于两者都强调对其他艺术门类如绘画、文学、诗歌等的借鉴与融合,并且浪漫主义音乐强调建立在现实基础之上的想象,这一点与电影的梦幻性有着异曲同工之妙。浪漫主义音乐与电影的另一个潜在关系在于标题音乐与艺术歌曲有着明确的主题指向,而大多数电影有着明确的主题传达。其次,文章谈到浪漫主义音乐对电影主题与情感的升华,包括:民族特色,爱国之情;赞美爱情,歌颂亲情;回归自然,渴望自由。接着,文章谈到浪漫主义音乐对电影角色与环境的刻画,包括:塑造角色,描摹心理;营造环境,渲染气氛。音乐在电影中的功能颇多,但是浪漫主义音乐以其独有的“激情与浪漫”、“生动与鲜明”的特点,在电影中有着独特的表现力。最后,文章提出了浪漫主义音乐在电影运用中的一些注意事项,包括:注意对音乐的合理性应用,注意对音乐的演绎与加工。浪漫主义音乐作为电影中常见的一种音乐,被运用在众多电影作品之中,也是电影创作者最为喜爱的音乐种类之一。文章以电影学、音乐学等领域的知识为主,通过案例研究法、文献检索法、综合分析法等研究方法结合大量电影实例,对浪漫主义音乐在电影中的应用作了系统的研究和阐述。文章旨在通过全新的视角,研究浪漫主义音乐在电影中的应用,希望浪漫主义音乐可以更好地为电影服务。
[Abstract]:The word "romance", first used in the 17th century, has a whimsical, fictional, magical meaning that depicts an ideal world, or an imaginary world, as opposed to the real world. Broadly speaking, "Romanticism" refers to an already existing creative method or tendency. In a narrow sense, Romanticism refers to an aesthetic trend of thought and a genre of art that emerged in Europe in the 19th century. Romanticism has emerged in areas such as painting. Romantic music usually refers to a Western genre of music that followed the Viennese classical music for more than a hundred years around the 19th century. Romantic music focuses on the expression of personal emotions, love of nature and fantasy about the future. Film music is an important part of film. Film music includes theme song, interlude, scene music, background music and so on. Movie music can render atmosphere, contrast characters, deepen theme, create rhythm, participate in narration and so on. Romantic music, as a commonly used category of film music, has a lot of potential relations with movies. It is very important to apply romantic music to movies and explore the application of romantic music in movies. The article first summarizes the film music and the romantic music, and then explains the potential relationship between the romantic music and the film, including the fusion and reference of other art categories, the fantasy of music and the fantasy of the film. The title of music and art songs and the theme of the film convey three aspects. Among them, the first potential relationship between romantic music and film is that both emphasize the reference and integration of other artistic categories such as painting, literature and poetry, and Romantic music emphasizes imagination based on reality. This is similar to the dreamy nature of the film. Another potential relationship between romantic music and film is that the title music and the art song have a clear theme direction, while most films have a clear theme communication. Secondly, the article talks about the sublimation of romantic music to the theme and emotion of the film, including: national characteristics, patriotism; praise of love, praise of family; return to nature, yearning for freedom. Then, the article talks about the portrayal of movie characters and environment by romantic music, including: portraying the characters, portraying the psychology, creating the environment and rendering the atmosphere. Music has a lot of functions in movies, but romantic music has its unique characteristics of "passion and romance" and "vividness and vividness" in the film. Finally, the article puts forward some points for attention in the application of romantic music in movies, including: paying attention to the rational application of music, to the deduction and processing of music. Romantic music, as one of the most popular music in movies, has been used in many films and is also one of the favorite music types of film creators. Based on the knowledge of cinematology, musicology and other fields, this paper systematically studies and expounds the application of Romantic music in movies by case study, literature retrieval, comprehensive analysis and a large number of film examples. The purpose of this paper is to study the application of romantic music in movies from a new perspective and hope that romantic music can serve the film better.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J617.6
本文编号：2141134
[Abstract]:The word "romance", first used in the 17th century, has a whimsical, fictional, magical meaning that depicts an ideal world, or an imaginary world, as opposed to the real world. Broadly speaking, "Romanticism" refers to an already existing creative method or tendency. In a narrow sense, Romanticism refers to an aesthetic trend of thought and a genre of art that emerged in Europe in the 19th century. Romanticism has emerged in areas such as painting. Romantic music usually refers to a Western genre of music that followed the Viennese classical music for more than a hundred years around the 19th century. Romantic music focuses on the expression of personal emotions, love of nature and fantasy about the future. Film music is an important part of film. Film music includes theme song, interlude, scene music, background music and so on. Movie music can render atmosphere, contrast characters, deepen theme, create rhythm, participate in narration and so on. Romantic music, as a commonly used category of film music, has a lot of potential relations with movies. It is very important to apply romantic music to movies and explore the application of romantic music in movies. The article first summarizes the film music and the romantic music, and then explains the potential relationship between the romantic music and the film, including the fusion and reference of other art categories, the fantasy of music and the fantasy of the film. The title of music and art songs and the theme of the film convey three aspects. Among them, the first potential relationship between romantic music and film is that both emphasize the reference and integration of other artistic categories such as painting, literature and poetry, and Romantic music emphasizes imagination based on reality. This is similar to the dreamy nature of the film. Another potential relationship between romantic music and film is that the title music and the art song have a clear theme direction, while most films have a clear theme communication. Secondly, the article talks about the sublimation of romantic music to the theme and emotion of the film, including: national characteristics, patriotism; praise of love, praise of family; return to nature, yearning for freedom. Then, the article talks about the portrayal of movie characters and environment by romantic music, including: portraying the characters, portraying the psychology, creating the environment and rendering the atmosphere. Music has a lot of functions in movies, but romantic music has its unique characteristics of "passion and romance" and "vividness and vividness" in the film. Finally, the article puts forward some points for attention in the application of romantic music in movies, including: paying attention to the rational application of music, to the deduction and processing of music. Romantic music, as one of the most popular music in movies, has been used in many films and is also one of the favorite music types of film creators. Based on the knowledge of cinematology, musicology and other fields, this paper systematically studies and expounds the application of Romantic music in movies by case study, literature retrieval, comprehensive analysis and a large number of film examples. The purpose of this paper is to study the application of romantic music in movies from a new perspective and hope that romantic music can serve the film better.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J617.6
【参考文献】
相关期刊论文 前10条
1 蒋丹;;古典音乐与现代音乐的结合与差异化研究[J];大舞台;2013年12期
2 费飞;;古典音乐在动画配乐中的应用[J];大众文艺;2013年23期
3 陈琳琳;;古典音乐传播新途径[J];音乐大观;2013年10期
4 陈诺;;肖邦bD大调前奏曲“雨滴”(OP.28 NO.15)的曲式结构与音乐语言[J];音乐大观;2013年10期
5 张文婷;;肖邦《b~D大调前奏曲(雨滴)》曲式分析[J];音乐时空;2013年07期
6 刘博;;库布里克电影中的古典音乐叙事[J];电影文学;2013年12期
7 郎月铃;;解码音乐在《海上钢琴师》中的隐喻[J];芒种;2013年10期
8 王娅;;电影《海上钢琴师》中的音乐漫谈[J];电影文学;2013年07期
9 李玮;;《幻想曲2000》中的交响乐分析[J];音乐大观;2013年01期
10 史哲宇;;经典电影中古典音乐的使用及其价值[J];电影评介;2012年23期
，本文编号：2141134
本文链接：https://www.wllwen.com/wenyilunwen/huanjingshejilunwen/2141134.html
