黑色的文化演绎与箱包设计研究
发布时间：2018-08-24 12:19
【摘要】：时尚推崇黑色为经典与潮流,黑色的广泛应用并非设计师群体的主观色彩偏好,是黑色的情感属性与审美的引导。黑色的发展有特定的历史轨迹和艺术表现,是文化影响力。黑色是最早被人类发现和使用的颜色,“先入为主”获得了人类的偏爱。而不同自然植物或现象产生细微颜色变化的黑色,因此成就了中国古汉字的造字文化。可以说,黑色不是单一的颜色,而是一种颜色,成一体系。梳理黑色发展的历史脉络,作为文化产物。东西方不同文化下的对黑色的情感是有差异的。中华古国自古便有“尚黑”之风,具有阶级属性,随着传统五色系统的规范和确立,黑色作为正色之一成为君子高气节的象征。同样受到儒家、禅宗佛法思想的影响,与中国一水相邻的日本对黑色的态度上有所不同,受历史发展和民族性格的共同影响。而在西方,黑色是邪恶、厌恶、有罪的。东方的中庸之道让黑色保持着对他特殊的喜好,西方的自由反叛精神使对它的情感走向极端,正面与反面共存。黑色作为文化载体被应用在各种艺术品类中,本文通过对绘画、产品、建筑,从二维平面、三维立体、环境三个维度分析黑色的表现形式。其一、艺术绘画中,对黑墨料应用到极致的水墨画,单纯的黑色表现突出了画面主体,用笔和技法十分讲究但画面张弛有度。而西方绘画对形态的极致要求,是追求尽善尽美的科学态度。其二、漆器产品是黑色处于崇高地位的巅峰之作。漆器的传播和影响形成了文化交流。其三、在建筑方面,传统瓦片房屋形成的“粉状黛瓦”格局,徽商为提升环境文化格调而改良的“徽派建筑”形成水墨意境,影响了新式中国风建筑。西方文明推动了现代化建筑的快速发展,钢铁骨架结构的出现让高楼耸立,人们远离大地。钢铁的黑让人感觉冷酷、高傲,泥瓦的黑最让人脚踏实地。可以说,黑色通过艺术形式进行表现是文化的外化。黑色在箱包设计中的表现,与其他颜色搭配时,黑色不愠不火、不喧宾夺主,可以退居其后衬托所搭配的颜色,甚至被视作“空”、“无”。这是黑色广延性、普适性的表现。分析黑色的不同配比,从小比例的点缀到对等比例再到全篇幅都有不同效果,通体之黑更是现代设计追求科技感、未来感的宠儿。在箱包设计中,通过黑色占比不同的试验,得出黑色的不同效果,应证黑色魅力的存在。
[Abstract]:Fashion advocates black as a classic and trend. The wide application of black is not the subjective color preference of designers, but the emotional attributes and aesthetic guidance of black. It can be said that black is not a single color, but a kind of color, forming a system. With the establishment of the traditional five-color system, black as one of the orthodox colors has become a symbol of gentleman's high moral integrity. It is also influenced by Confucianism, Zen Buddhism, and the attitude toward black in Japan, which is adjacent to China, is different from that of Japan. In the West, black is evil, disgusting and guilty. The Eastern doctrine of the Mean keeps black in his special preference. The Western spirit of freedom and rebellion makes his emotions to the extreme, both positive and negative coexistence. Works, architecture, from the two-dimensional plane, three-dimensional, three-dimensional environment analysis of the expression of black form. First, art painting, black ink applied to the ultimate ink painting, simple black performance highlights the main picture, with the pen and techniques are very exquisite but the picture relaxed. Western painting on the form of the ultimate requirements, is the pursuit of perfection. Secondly, lacquerware products are the peak of black in a lofty position. The spread and influence of lacquerware form cultural exchanges. Thirdly, in architecture, traditional tile houses form a "powder dewar" pattern, Huizhou merchants improve the "Hui style architecture" to enhance the environmental and cultural style to form ink artistic conception, affecting the new style. Chinese style architecture. Western civilization promotes the rapid development of modern architecture. The appearance of steel skeleton structure makes high-rise buildings stand up and people stay away from the earth. The black of steel makes people feel cold, proud, and the black of mud tile makes people feel most down-to-earth. It can be said that the expression of black through art forms is the externalization of culture. Black in the design of suitcases and bags in the table. Nowadays, when matching with other colors, black is not calm, not boisterous, and can retreat to the color matching behind it, or even be regarded as "empty" or "none". This is the expression of black extensiveness and universality. Modern design pursues a sense of science and technology, the darling of the future. In the design of bags, through the black proportion of different experiments, the different effects of black, should prove the existence of black charm.
【学位授予单位】：东华大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS563.4
本文编号：2200798
[Abstract]:Fashion advocates black as a classic and trend. The wide application of black is not the subjective color preference of designers, but the emotional attributes and aesthetic guidance of black. It can be said that black is not a single color, but a kind of color, forming a system. With the establishment of the traditional five-color system, black as one of the orthodox colors has become a symbol of gentleman's high moral integrity. It is also influenced by Confucianism, Zen Buddhism, and the attitude toward black in Japan, which is adjacent to China, is different from that of Japan. In the West, black is evil, disgusting and guilty. The Eastern doctrine of the Mean keeps black in his special preference. The Western spirit of freedom and rebellion makes his emotions to the extreme, both positive and negative coexistence. Works, architecture, from the two-dimensional plane, three-dimensional, three-dimensional environment analysis of the expression of black form. First, art painting, black ink applied to the ultimate ink painting, simple black performance highlights the main picture, with the pen and techniques are very exquisite but the picture relaxed. Western painting on the form of the ultimate requirements, is the pursuit of perfection. Secondly, lacquerware products are the peak of black in a lofty position. The spread and influence of lacquerware form cultural exchanges. Thirdly, in architecture, traditional tile houses form a "powder dewar" pattern, Huizhou merchants improve the "Hui style architecture" to enhance the environmental and cultural style to form ink artistic conception, affecting the new style. Chinese style architecture. Western civilization promotes the rapid development of modern architecture. The appearance of steel skeleton structure makes high-rise buildings stand up and people stay away from the earth. The black of steel makes people feel cold, proud, and the black of mud tile makes people feel most down-to-earth. It can be said that the expression of black through art forms is the externalization of culture. Black in the design of suitcases and bags in the table. Nowadays, when matching with other colors, black is not calm, not boisterous, and can retreat to the color matching behind it, or even be regarded as "empty" or "none". This is the expression of black extensiveness and universality. Modern design pursues a sense of science and technology, the darling of the future. In the design of bags, through the black proportion of different experiments, the different effects of black, should prove the existence of black charm.
【学位授予单位】：东华大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS563.4
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