杜光庭书法艺术研究

发布时间：2018-10-19 10:30

【摘要】：杜光庭是唐末五代时期的道门领袖,也是一位书法家,他的楷书虽无一留存却“迈往绝人”,他还全面总结和整理了云篆,使其拥有了一个完整的篆书体系。该论文通过对杜光庭生活环境、入道经历、书法艺术风格以及其云篆独字的分解重构,力图再现当时的社会历史环境,更深入地分析他形成独特书法艺术意蕴以及取得诸多书法艺术成就的原因。该论文主要从杜光庭及其艺术作品、杜光庭楷书艺术研究、杜光庭篆书(云篆)作品研究三个方面进行构架,采用了宗教学研究法、文献研究法、图像研究法多维度论述。首先是宗教学研究法:从历史学的视角,论文阐述了由唐朝到五代书法的发展和演变,以及道教在这一时期的传播情况,做到了历史与逻辑的统一;从社会学的视角,论文分析了杜光庭入道的经历和杜光庭之所以能够成为唐末五代时期道门领袖的社会原因,做到了对战乱阻碍文化艺术发展的批判和对杜光庭继承发扬道教的肯定;从哲学的视角和心理学的视角,论文着重剖析了道教的教理教义对崇道者的影响,进而这种宗教崇拜心理对自身书法创作的影响,运用文献学的方法,做到了引用资料、观点和研究方法的统一;从文化学的视角,论文把道教和书法通过人物统一了起来,使得道教的教理教义实体化呈现于书法这一艺术门类中。再者是文献研究法:论文结合大量的道经、古籍和史料,对文献进行仔细的综合整理,并得出切实可靠的结论。最后是图像研究法:论文通过对唐五代时期的拓片、碑刻、字画等遗珍的分析对比研究,尽可能的还原出唐五代道教书法的原始风貌,以帮助更全面的理解杜光庭道教书法的艺术价值和社会意义。总之,在唐末五代时期,杜光庭既是道教思想的集大成者,也是道教书法新发展的重要开拓者,在唐宋道教书法艺术中起到了承上启下的作用。
[Abstract]:Du Guangting was the leader of Taoism in the late Tang and five dynasties, and also a calligrapher. Although his regular script did not exist, he "went to the last man". He also summed up and sorted out the Yunzhuan character script in an all-round way, so that he had a complete seal script system. This paper attempts to reproduce the social and historical environment of du Guangting through the decomposition and reconstruction of du Guangting's living environment, the experience of Taoism, the style of calligraphy art and the unique character of cloud seal character. More in-depth analysis of the formation of his unique calligraphy art implication and the reasons for his many calligraphy achievements. This paper mainly from du Guangting and his art works, du Guangting art research, du Guangting seal script (Yunzhuan) works research three aspects of the framework, using the religious teaching research method, literature research method, image research method multi-dimensional discussion. The first is the method of religious research: from the perspective of history, the paper expounds the development and evolution of calligraphy from the Tang Dynasty to the five dynasties, and the spread of Taoism in this period, which achieves the unity of history and logic, and from the perspective of sociology, This paper analyzes du Guangting's experience of entering Taoism and the social reasons why du Guangting became Taoist leader in the late Tang Dynasty and the five dynasties, and makes a criticism of the war that hinders the development of culture and art, and affirms du Guangting's inheritance and development of Taoism. From the perspective of philosophy and psychology, the paper analyzes the influence of Taoist doctrine on Taoist worshippers, and the influence of religious worship psychology on their own calligraphy creation. From the perspective of culturology, the thesis unifies Taoism and calligraphy through figures, which makes the doctrine of Taoist teachings materialize in the art category of calligraphy. Furthermore, the literature research method: the paper combines a large number of Taoism classics, ancient books and historical materials, and makes a careful comprehensive arrangement of the documents, and draws a practical and reliable conclusion. Finally is the image research method: the thesis through the Tang and five dynasties period rubbings, inscriptions, calligraphy and painting, and so on, as far as possible to restore the Tang and five dynasties Taoist calligraphy original style, In order to help a more comprehensive understanding of du Guangting Taoist calligraphy artistic value and social significance. In short, during the late Tang and five dynasties, du Guangting was not only the master of Taoist thought, but also an important pioneer of the new development of Taoist calligraphy, and played a connecting role in Taoist calligraphy art in Tang and Song dynasties.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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