当代建筑立体绿化形态的模糊化研究
发布时间：2018-11-06 07:20
【摘要】：随着现代人类社会的不断发展进步,全球范围内能源和环境危机日益加剧,迫使人们重新审视人与自然、建筑与自然环境的关系。各国建筑设计师都力求创造出环保而美观的人类居住环境,各种新思路、新形态、新理念层出不穷。随着环保意识以及新的艺术审美观念的增强,当下建筑观念正发生着深刻变革,立体绿化成为当代建筑绿化的突出倾向并不断发展。建筑师们在这方面进行不断的探索,使得建筑立体绿化的新形态、新理念不断涌现。“模糊化”是建筑立体绿化的基本特征,传统的屋顶、墙面等处绿化让建筑与绿色植物融为一体,建筑亦是自然景观,其本身就极具模糊性。随着新技术和复杂科学的出现,使得建筑立体绿化形态的模糊化也走向复杂混沌,走向交合。立体绿化不再孤立的被运用到某一个空间中,而是将其在建筑空间中整合使用。穿越在建筑与环境之间、穿越在建筑内外部空间之间、穿越在建筑空间与陈设之间。建筑与自然景观、建筑的内部外部、建筑的层面等界面得以消解,相互联系并融合,构成统一的绿色整体。本文对立体绿化形态的“模糊化”展开研究,首先了解当代建筑设计中立体绿化的探索情况,研究分析当代立体绿化模糊化的社会文化背景及历史发展,深化认识。深入研究立体绿化模糊化的理论基础,系统地探索总结立体绿化模糊化在当代建筑设计中的表达。然后通过对国内外建筑设计中立体绿化模糊化的案例分析,探究立体绿化在建筑设计中模糊化的思想观念,研究立体绿化模糊化的形态、基本方式方法、技术手段以及其生态性。最后通过分析并揭示了立体绿化的模糊化所具有丰富的空间意味以及其在当代复杂多元的思潮下对建筑的意义及启发。
[Abstract]:With the continuous development and progress of modern human society, the crisis of energy and environment in the world is becoming more and more serious, forcing people to re-examine the relationship between man and nature, architecture and natural environment. Architectural designers all over the world strive to create an environmentally friendly and beautiful human living environment, all kinds of new ideas, new forms, new ideas emerge in endlessly. With the strengthening of the consciousness of environmental protection and the new aesthetic concept of art, the concept of architecture is undergoing profound changes. Three-dimensional greening has become a prominent trend of contemporary architectural greening and has been developing continuously. Architects in this area continue to explore, so that new forms of three-dimensional green architecture, new ideas continue to emerge. "fuzzification" is the basic feature of three-dimensional greening of buildings. Traditional greening of roofs and walls makes buildings and green plants merge into one, and architecture is also a natural landscape, which itself is extremely fuzzy. With the emergence of new technology and complex science, the fuzzification of the building's three-dimensional greening form is also moving towards the complex chaos and the intersection. Stereoscopic greening is no longer used in an isolated space, but integrated in the architectural space. Traversing between architecture and environment, between internal and external space, between architectural space and furnishings. The interface between architecture and natural landscape, the interior and exterior of architecture, the layer of architecture, and so on, is dissolved, connected and integrated, forming a unified green whole. In this paper, the "fuzzification" of the stereoscopic greening form is studied. Firstly, the exploration of the stereoscopic greening in the contemporary architectural design is understood, and the social and cultural background and historical development of the fuzzification of the contemporary stereoscopic greening are studied and analyzed, and the understanding is deepened. The theoretical basis of the fuzzification of stereoscopic greening is deeply studied, and the expression of the fuzzification of stereoscopic greening in contemporary architectural design is systematically explored and summarized. Then through the case analysis of the fuzzification of stereoscopic greening in architectural design at home and abroad, this paper probes into the idea of fuzzification of stereoscopic greening in architectural design, and studies the form, basic ways and methods of the fuzzification of stereoscopic greening. Technical means and its ecology. Finally, by analyzing and revealing the fuzziness of stereoscopic greening, it has rich spatial meaning and its significance and inspiration to architecture under the contemporary complex and plural trend of thought.
【学位授予单位】：中国矿业大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：S731.2
本文编号：2313537
[Abstract]:With the continuous development and progress of modern human society, the crisis of energy and environment in the world is becoming more and more serious, forcing people to re-examine the relationship between man and nature, architecture and natural environment. Architectural designers all over the world strive to create an environmentally friendly and beautiful human living environment, all kinds of new ideas, new forms, new ideas emerge in endlessly. With the strengthening of the consciousness of environmental protection and the new aesthetic concept of art, the concept of architecture is undergoing profound changes. Three-dimensional greening has become a prominent trend of contemporary architectural greening and has been developing continuously. Architects in this area continue to explore, so that new forms of three-dimensional green architecture, new ideas continue to emerge. "fuzzification" is the basic feature of three-dimensional greening of buildings. Traditional greening of roofs and walls makes buildings and green plants merge into one, and architecture is also a natural landscape, which itself is extremely fuzzy. With the emergence of new technology and complex science, the fuzzification of the building's three-dimensional greening form is also moving towards the complex chaos and the intersection. Stereoscopic greening is no longer used in an isolated space, but integrated in the architectural space. Traversing between architecture and environment, between internal and external space, between architectural space and furnishings. The interface between architecture and natural landscape, the interior and exterior of architecture, the layer of architecture, and so on, is dissolved, connected and integrated, forming a unified green whole. In this paper, the "fuzzification" of the stereoscopic greening form is studied. Firstly, the exploration of the stereoscopic greening in the contemporary architectural design is understood, and the social and cultural background and historical development of the fuzzification of the contemporary stereoscopic greening are studied and analyzed, and the understanding is deepened. The theoretical basis of the fuzzification of stereoscopic greening is deeply studied, and the expression of the fuzzification of stereoscopic greening in contemporary architectural design is systematically explored and summarized. Then through the case analysis of the fuzzification of stereoscopic greening in architectural design at home and abroad, this paper probes into the idea of fuzzification of stereoscopic greening in architectural design, and studies the form, basic ways and methods of the fuzzification of stereoscopic greening. Technical means and its ecology. Finally, by analyzing and revealing the fuzziness of stereoscopic greening, it has rich spatial meaning and its significance and inspiration to architecture under the contemporary complex and plural trend of thought.
【学位授予单位】：中国矿业大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：S731.2
【共引文献】
相关期刊论文 前1条
1 蒋琳;唐鸣放;;垂直绿化——建筑表皮的生命符号[J];西部人居环境学刊;2015年04期
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