当前位置:主页 > 文艺论文 > 环境艺术论文 >

中国古典园林与现代园林视觉美的比较研究

发布时间:2019-03-08 16:54
【摘要】:随着时代的发展,丰富多彩的视觉艺术不断的刺激着人们的视觉感知能力,追求美带给人们视觉和心理上享受一直是人们不断研究的方向,而真正影响人们的视觉艺术快速发展的是人类审美观的不断提升。在园林景观的发展中,无论时代的变迁,园林都能使得美学法则和视觉艺术很好的联系起来,如中国古典园林,它是我国园林史上具有高度的艺术成就和独特风格的园林艺术体系,凝聚了传统文化的精粹和社会审美意识的精华,它运用叠石、造山、理水、植木、营亭、筑桥和陈设家具等组成各类美景,以有限的面积,创造的景观意象难以表达,它溶自然美、建筑美、绘画美为一体,古人运用自己的审美意识来组景,使得方寸天地再现自然山水之美,处处景色蕴含隽永优美的诗情画意,带给人们“天人合一”的视觉冲击。现代园林,它面向的是城市环境,是与整个城市规划发生了联系,是在不同尺度的大地上建立人与自然多样化的联系,它不仅强调人类的发展,资源与环境的可持续性,而且吸收了前卫艺术的表现语言,强调了园林景观的多样性、文化性、艺术性,这些特点都带来了很强的视觉新鲜感。两种不同的园林美学差异,所带给人们不一样的美的感受,不仅让人们从视觉上有所享受,也让人们从心灵上对美有更深的认识。本文用比较的方法,从时代精神、分类体系、科技水平、设计目的等来对中国古典园林与现代园林视觉美的差异进行比较研究,从思想、文化、审美、形式等来探究它们之间不同的美学风格,找到传统园林视觉美的模式;从视觉美的差异性分析出两者在不同时代产生的思想根源、审美趋势、空间形态以及具体设计手法的区别,也从二者的历史的差异性中可以获取营养,传承古典园林文化并与现代园林景观的审美结合,共同营造新时代景观意境,增强对园林和历史的认识,也引导我们提升园林艺术的审美情趣,才是我国现代景观发展、构建特色园林景观的主要途径与目的。
[Abstract]:With the development of the times, the rich and colorful visual art constantly stimulates people's visual perception ability, and the pursuit of beauty brings people's visual and psychological enjoyment to be the direction of people's continuous research. And the rapid development of the visual art of the people is the continuous improvement of the aesthetic of the human being. In the development of garden landscape, no matter the change of the times, the garden can make the aesthetic rule and visual art very good, such as the Chinese classical garden, it is the garden art system with high artistic achievement and unique style in the history of Chinese garden, The essence of the essence of the traditional culture and the aesthetic consciousness of the society is condensed. It uses the stone, the mountain, the water, the plant, the tent, the building bridge and the furnishings and the furniture to make up all kinds of beautiful scenery, with limited area, the created landscape image is difficult to express, it is natural and beautiful, the building is beautiful, the painting is beautiful, The ancients used their own aesthetic consciousness to set up the scene, so that the beauty of the natural landscape is reproduced in the square-inch world, and the beauty of the natural landscape is contained in the landscape, and the visual impact of the "unity of man and man" is brought to the people. The modern garden, which is facing the urban environment, is a link with the whole urban planning, and it is the link between man and nature in different scales. It not only emphasizes the development of human, the sustainability of resources and the environment, but also absorbs the expression language of the avant-garde art. The diversity, culture and artistry of the garden landscape are emphasized. The difference of two kinds of garden aesthetics brings people's different feeling of beauty, not only makes people enjoy the vision, but also makes people have a deeper understanding of beauty from the mind. This paper makes a comparative study on the difference between the Chinese classical garden and the modern garden visual beauty from the time spirit, the classification system, the science and technology level, the design purpose and so on, and explores the different aesthetic styles from the thought, culture, the aesthetic, the form and so on. The model of the traditional garden visual beauty is found, the difference of the ideological root, the aesthetic trend, the space form and the specific design method of the two in different times is analyzed from the difference of the visual beauty, and the nutrition can be obtained from the difference of the history of the two, It is only the development of the modern landscape in our country, to inherit the classical garden culture and to combine with the aesthetic of the modern garden landscape, to create a new era of landscape artistic conception, to enhance the understanding of the garden and the history, and to guide us to improve the aesthetic taste of the garden art. The main way and purpose of constructing the characteristic garden landscape.
【学位授予单位】:吉林建筑大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:TU986.1

【参考文献】

相关期刊论文 前10条

1 李军;郭敏玲;;试述中国古典园林对现代都市景观的启示[J];资源环境与发展;2011年03期

2 弗雷德里克·斯坦纳;张凌;;复杂性的表达[J];景观设计学;2013年06期

3 伊恩·毕夏普;陈立欣;;地理设计中的优化[J];景观设计学;2013年06期

4 西蒙·贝尔;孙一鹤;;市场的力量:景观和经济[J];景观设计学;2014年02期

5 西蒙·斯沃菲尔德;孙一鹤;;由内而外还是由外而内?——对城市边缘地区景观管理的反思[J];景观设计学;2014年05期

6 小詹姆士·L·威斯科特;刘姝;;古代水利基础设施比较研究对新兴城市的意义[J];景观设计学;2014年05期

7 芮妮·周;陈立欣;;中国教训:重新编织城市肌理[J];景观设计学;2013年05期

8 罗伯特·曼固彦;玛丽安·雷;李霞;田乐;孙一鹤;;设计领域的“中国时代”[J];景观设计学;2013年05期

9 尼尔·G·柯克伍德;孙一鹤;;未来景观设计实践的维度[J];景观设计学;2014年02期

10 姜芊孜;周明艳;佩特拉·斯坦宁格;;从能效城市到能效者——5A规划途径[J];景观设计学;2014年03期

相关硕士学位论文 前3条

1 牟夏;居住区景观设计中造型艺术视觉美感的营造及应用[D];西安建筑科技大学;2009年

2 李正;景观与视觉:视觉文化域中的景观研究[D];北京林业大学;2009年

3 周小妹;当代视觉艺术的审美问题研究[D];西安电子科技大学;2013年



本文编号:2437006

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huanjingshejilunwen/2437006.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户d1bc4***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com