赣南采茶戏唱腔艺术研究

发布时间：2019-03-14 18:29

【摘要】：赣南采茶戏是江西著名的地方戏曲之一,活跃在赣州地区的一种民间小戏。赣南采茶戏的唱腔是赣南采茶戏主要构建元素之一,是戏曲音乐结构和布局的中心,也是赣南采茶戏曲牌风格的直接和集中体现,是采茶戏的灵魂。本文由绪论、正文、结语三部分组成。第一章绪论部分对本论文的研究意义、研究现状及采用的研究方法进行论述,说明了本论文的选题意义和基本写作思路。其中正文分六章进行论述。第二章内容是论述赣南的人文地理情况,从中寻找赣南采茶戏的唱腔与当地历史人文、环境的内在关系。第三章是本文的重点研究部分,对赣南采茶戏唱腔音乐形态特征进行研究,从唱腔的语言、结构、旋法、唱词、音韵、伴奏及演唱特征入手,探究唱腔音乐元素的特征。第四章是对唱腔在各时期的发展特征进行归纳和梳理,对采茶戏的形式、内容、旋法在各时期呈现的特点进行理论综合。第五章对现代采茶剧《八子参军》唱腔进行个案分析,探究现代作曲技法下采茶戏唱腔的特点。第六章主要是对赣南采茶戏唱腔的表演艺术元素及唱腔的分类。第七章探究唱腔在当代的活性传承保护与文化传播。本文通过对赣南采茶戏唱腔艺术研究的梳理和归纳,旨在希望更多的人关注到赣南采茶戏唱腔的特色,也为赣南采茶戏音乐构建内涵的发展提供系统地理论研究依据,为采茶戏的活性传承与保护提供理论依据。
[Abstract]:Gannan tea mining opera is one of the famous local operas in Jiangxi province, which is active in Ganzhou area. The singing of Gannan tea-picking opera is one of the main construction elements of Gannan tea-picking opera, is the center of opera music structure and layout, is also the direct and centralized embodiment of the style of Gannan tea-picking opera, and is the soul of the tea-picking opera. This paper consists of three parts: introduction, text and conclusion. In the first chapter, the significance, the present situation and the research methods of this thesis are discussed, and the significance of the topic selection and the basic ideas of writing are explained. The text is divided into six chapters. The second chapter is to discuss the humane geography situation of Gannan, and find out the inner relationship between the singing style of Gannan tea-picking opera and the local history, humanities and environment. The third chapter is the key research part of this paper, which studies the characteristics of singing music form in Gannan tea-picking opera, from the language, structure, rotation, singing words, phonology, accompaniment and singing characteristics, to explore the characteristics of singing music elements. The fourth chapter is to sum up and sort out the development characteristics of the singing chamber in each period, and to synthesize the features of the tea-picking drama, the content and the rotation method in each period. The fifth chapter makes a case analysis of the singing style of the modern tea-picking drama "eight children join the army", and probes into the characteristics of the singing chamber of the tea-picking opera under the modern composing techniques. The sixth chapter is mainly about the performing art elements and classification of singing in Gannan tea-picking opera. The seventh chapter explores the active heritage protection and cultural dissemination of singing cavity in the contemporary era. By combing and summarizing the art of singing in Gannan tea-picking opera, this paper hopes that more people will pay attention to the characteristics of Gannan tea-picking opera and also provide a systematic theoretical basis for the development of the connotation of the music construction of Gannan tea-picking opera. It provides the theoretical basis for the inheritance and protection of the activity of the tea-picking drama.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J617.5

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