探寻合体字运用“视错性”原理视觉表现的实践与研究

发布时间：2019-04-28 12:09

【摘要】：“视错性”在设计领域影响深远。从古到今,“视错性”不仅体现在环境、艺术、生活等各个领域,而且在时代进步之下,“视错性”原理被广泛应用到各处,比如,设计艺术、绘画艺术等领域。很多的艺术家们在自己的艺术创作中充分运用“视错”的概念并将这种概念完全的体现在作品中,例如,20世纪画坛中独树一帜的艺术家M·C·埃舍尔,它的作品是最具“视错性”表现的代表之一。对于汉字的设计而言,它影响着图形化表现的艺术手法、观者对图形的认知等方面。作为汉字设计领域一部分的合体字艺术创作在视觉传达方面的发展是近年对字体进行设计之后才开始的。虽然合体字在我们的传统书写中已经存在,诸如比较常见的表现物质层面的“招财进宝”、“金玉满堂”和精神层面的“唯吾知足”、“天人合一”、“春景当思”等具有民间艺术气息的字体设计艺术形式,但是它的艺术表达却没有突出的革新。互联网时代的到来,给合体字的设计带来了好处也存在弊端,使字体的设计更方便化的同时也使设计氛围混乱。运用“视错性”对合体字进行创意与设计是时代的趋势,也是一种新的不断尝试,图形化的发展趋势使得合体字的设计不断接受新的挑战,“视错性”的原理在合体字的设计中起到至关重要的作用。本论文就合体字与“视错性”原理展开字体设计的实践与研究,从视觉上看,汉字可以说是由笔画构成的有意味的空间,会传达一种情绪和情境,对人的感受产生影响。那么“视错性”原理融入合体字设计中会对视觉的表现产生什么样的影响呢?本论文将格式塔心理学中的“视错性”运用到合体字设计实践中,集中阐述“视错性”对合体字设计的适用性和两者结合对合体字设计识别性的影响。汉字字体设计在不断的进步着汉字中的合体字也是众多设计者研究设计的对象,希望通过一点一滴的积累与探索寻找和发现并创新出更为广阔的思维空间。
[Abstract]:Visual error has a far-reaching impact in the field of design. From ancient times to the present, "visual error" is not only reflected in the environment, art, life and other fields, but also under the progress of the times, the principle of "visual error" has been widely used everywhere, for example, design art, painting art and other fields. Many artists make full use of the concept of "misconception" in their artistic creation and fully embody it in their works. For example, in the 20th century, the artist M C Asher, a unique artist in the 20th century, has made full use of the concept of "misconception" in his works. Its works represent one of the most "visual errors". As far as the design of Chinese characters is concerned, it affects the artistic techniques of graphic expression, the cognition of the viewer to the graphics, and so on. As a part of the field of Chinese character design, the development of artistic creation of composite characters in visual communication is only started after the design of fonts in recent years. Although the combination character already exists in our traditional writing, such as the more common manifestation of the material level of "recruitment of wealth to treasure", "golden jade full of hall" and the spiritual level of "only my satisfaction", "the unity of nature and man", Spring Day thought and other folk art flavor of font design art forms, but its artistic expression has not been outstanding innovation. The advent of the Internet era has brought benefits and disadvantages to the design of composite characters, making the design of fonts more convenient and at the same time confusing the design atmosphere. It is the trend of the times to apply "visual error" to the creativity and design of composite characters, and it is also a new and continuous attempt. The development trend of graphics makes the design of composite characters accept new challenges constantly. The principle of "visual error" plays an important role in the design of composite characters. In this paper, the combination of characters and the principle of "visual error" to carry out the practice and research of font design, from the visual point of view, Chinese characters can be said to be composed of strokes of meaningful space, will convey a kind of emotion and situation, have an impact on people's feelings. So how does the principle of "visual error" integrate into the design of composite characters have any effect on the performance of vision? This paper applies the "visual error" in Gestalt psychology to the practice of compound character design, and focuses on the applicability of "visual error" to the design of composite character and the influence of the combination of the two on the recognition of composite character design. Chinese character font design in the continuous progress of the combination of Chinese characters is also the object of many designers research and design, hoping to find and discover and create a broader thinking space through the accumulation and exploration of the drop by bit.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J524

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