“传统的回归”—当代绘制性壁画的形态研究
发布时间：2019-05-26 21:34
【摘要】：作为一种最古老的绘画艺术形式,壁画的历史迄今已逾5万年之久,其最原始的形态可追溯到远古时代的岩画。由于地域、宗教以及时代等不同因素的影响,壁画所呈现出风貌往往千姿百态,各有不同。与其他绘画作品相比,壁画的绘制往往需要在建筑墙壁上进行,因此其所面临的始终是以群体审美为目标追求的大环境,承担着通过与大众审美意识的交流合作以提高整体社会审美水准的任务。随着社会的不断发展进步,壁画的艺术语言、内容形式更趋多元化,审美内涵也更加丰富。在当代壁画发展中,由于工艺材料的增多,工艺性壁画较多,使得大量壁画语言以及造型方式与传统壁画在其本质上渐行渐远,壁画在建筑空间中的装饰性作用强调过大,缺乏手工感和手绘价值,运用大量的材料堆砌的方式使壁画作品沦为仅仅是对墙面的装饰和附庸,这就使壁画的独立审美性大打折扣。绘制性壁画虽然在诸多方面受到的冲击很大,但其作为最纯粹的绘画艺术形式在当代社会疾速发展和变革中仍然散发着强劲的生命力。自1979年具有划时代意义的北京“首都国际机场壁画群”之后,工艺性壁画居多,绘制性壁画越来越少,到第十届全国美展壁画展、第十一届全国美展壁画展以及2012年大同国际壁画双年展中,绘制性壁画的比重越来越大,这恰恰就体现了在当代社会发展中这种纯粹的绘画艺术形式呈现出回归态势,更加说明了它的不可取代性。本文通过对绘制性壁画的概念、特征及其发展脉络的关照,以功能性和艺术性两方面为切入点,对当代绘制性壁画的艺术形态进行研究。本文主要分为以下五个部分:前言部分主要阐述了绘制性壁画的发展背景以及绘制性壁画在当今社会的发展现状,以历史为背景探究其发展、传承和流变,从艺术形态上去认识它在当代所发挥的作用,这无疑对推动当代绘制性壁画的发展有着积极的现实意义。第一章是对绘制性壁画的概述,分别从绘制性壁画的概念、特征以及东西方绘制性壁画的发展状况进行阐述与归纳。第二章是分别从“继精髓、铭人文”之纪念功能、“成教化、助人伦”之教育功能以及“超功利、启人性”之文化功能三个方面对当代绘制性壁画的功能性展开论述。第三章是从“现实”、“浪漫”以及“表现”三个角度对当代绘制性壁画的艺术性进行探讨,无论从表现内容、形式还是手法上无不体现着当代绘制性壁画的所散发的独特艺术魅力。结语部分主要对整篇论文进行总结以及阐述了绘制性壁画在今后社会的发展趋势,应紧追时代潮流,不断与新技术、新科技、新观念相结合,使绘制性壁画发展方向更为多元,更为广阔。
[Abstract]:As one of the oldest art forms of painting, murals have a history of more than 50,000 years, and their most primitive form can be traced back to ancient rock paintings. Due to the influence of different factors, such as region, religion and times, murals often show a variety of styles and features, each with different features. Compared with other paintings, the painting of murals often needs to be carried out on the walls of buildings, so it is always faced with a general environment aimed at group aesthetics. Undertake the task of improving the aesthetic standard of the whole society through the exchange and cooperation with the public aesthetic consciousness. With the continuous development and progress of society, the artistic language and content form of murals become more diversified, and the aesthetic connotation is more abundant. In the development of contemporary frescoes, due to the increase of technological materials and more craftsmanship murals, a large number of mural languages and modeling methods are gradually moving away from the traditional murals in essence, and the decorative role of murals in architectural space is too much. Lack of craftsmanship and hand-painted value, the use of a large number of materials to pile up the mural works become only the decoration and vassal of the wall, which greatly reduces the independent aesthetic nature of the murals. Although the painting mural has been greatly impacted in many aspects, as the purest form of painting art, it still emits strong vitality in the rapid development and reform of contemporary society. Since the landmark "Capital International Airport mural Group" in Beijing in 1979, the craftsmanship murals are in the majority, and the painted murals are less and less. To the 10th National Art Exhibition mural Exhibition, In the 11th National Art Exhibition mural Exhibition and the 2012 Datong International mural Biennale, the proportion of painted murals is increasing, which precisely reflects the return trend of this pure painting art form in the development of contemporary society. It also explains its irreplaceable nature. Based on the concept, characteristics and development of painted murals, this paper studies the artistic form of contemporary painted murals from two aspects of functionality and artistry. This paper is divided into the following five parts: the preface mainly expounds the development background of painted murals and the present situation of the development of painted murals in today's society, and probes into its development, inheritance and evolution against the background of history. It is of positive practical significance to understand its role in the contemporary era from the point of view of artistic form, which is undoubtedly of positive practical significance to promote the development of contemporary painted murals. The first chapter is an overview of painted murals, respectively from the concept and characteristics of painted murals and the development of painted murals in the East and the West. The second chapter discusses the function of contemporary painting murals from three aspects: the commemorative function of "inheriting essence, Ming Humanities", the educational function of "adult education, helping others" and the cultural function of "super utilitarian and enlightening human nature". The third chapter discusses the artistry of contemporary painted murals from three angles: "reality", "romance" and "expression", no matter from the content of expression. Form or technique reflects the unique artistic charm of contemporary painting murals. The conclusion part mainly summarizes the whole paper and expounds the development trend of painting frescoes in the future society. We should keep up with the trend of the times and constantly combine with new technology, new science and technology, new concepts, so as to make the development direction of painted murals more pluralistic. It's broader.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J218.6
本文编号：2485652
[Abstract]:As one of the oldest art forms of painting, murals have a history of more than 50,000 years, and their most primitive form can be traced back to ancient rock paintings. Due to the influence of different factors, such as region, religion and times, murals often show a variety of styles and features, each with different features. Compared with other paintings, the painting of murals often needs to be carried out on the walls of buildings, so it is always faced with a general environment aimed at group aesthetics. Undertake the task of improving the aesthetic standard of the whole society through the exchange and cooperation with the public aesthetic consciousness. With the continuous development and progress of society, the artistic language and content form of murals become more diversified, and the aesthetic connotation is more abundant. In the development of contemporary frescoes, due to the increase of technological materials and more craftsmanship murals, a large number of mural languages and modeling methods are gradually moving away from the traditional murals in essence, and the decorative role of murals in architectural space is too much. Lack of craftsmanship and hand-painted value, the use of a large number of materials to pile up the mural works become only the decoration and vassal of the wall, which greatly reduces the independent aesthetic nature of the murals. Although the painting mural has been greatly impacted in many aspects, as the purest form of painting art, it still emits strong vitality in the rapid development and reform of contemporary society. Since the landmark "Capital International Airport mural Group" in Beijing in 1979, the craftsmanship murals are in the majority, and the painted murals are less and less. To the 10th National Art Exhibition mural Exhibition, In the 11th National Art Exhibition mural Exhibition and the 2012 Datong International mural Biennale, the proportion of painted murals is increasing, which precisely reflects the return trend of this pure painting art form in the development of contemporary society. It also explains its irreplaceable nature. Based on the concept, characteristics and development of painted murals, this paper studies the artistic form of contemporary painted murals from two aspects of functionality and artistry. This paper is divided into the following five parts: the preface mainly expounds the development background of painted murals and the present situation of the development of painted murals in today's society, and probes into its development, inheritance and evolution against the background of history. It is of positive practical significance to understand its role in the contemporary era from the point of view of artistic form, which is undoubtedly of positive practical significance to promote the development of contemporary painted murals. The first chapter is an overview of painted murals, respectively from the concept and characteristics of painted murals and the development of painted murals in the East and the West. The second chapter discusses the function of contemporary painting murals from three aspects: the commemorative function of "inheriting essence, Ming Humanities", the educational function of "adult education, helping others" and the cultural function of "super utilitarian and enlightening human nature". The third chapter discusses the artistry of contemporary painted murals from three angles: "reality", "romance" and "expression", no matter from the content of expression. Form or technique reflects the unique artistic charm of contemporary painting murals. The conclusion part mainly summarizes the whole paper and expounds the development trend of painting frescoes in the future society. We should keep up with the trend of the times and constantly combine with new technology, new science and technology, new concepts, so as to make the development direction of painted murals more pluralistic. It's broader.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J218.6
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