欧洲三大电影节中国获奖电影叙事研究

发布时间：2019-05-25 03:48

【摘要】：随着“全球化”一词在世界范围内的广泛流行,电影作为一种传播媒介、一种艺术形式、一种产品自然也无法置身于“全球化”这一宏大语境之外。电影从本国走向世界,不仅是经济上的一个产业,也不仅限于是文化传播的载体,更重要的是向世界展示本国的文化“软实力”。电影通过塑造人物、故事、背景环境,向世界传递本国的价值观和国家形象,进而对于本国参与国际事务而产生深远的影响。中国电影要取得“全球化”传播的成功,就需要在“本土化”与“国际化”的融合中找到一个契合点,从而实现中国价值与世界价值的相统一。中国电影想要在世界电影中立足,必须首先具备在国外的影响力,中国电影所表现的社会价值被世界接受,是本文研究的理论起点和价值所在。本文共分为四个章节。第一章绪论部分主要从两个方面对中国电影走向世界的理论文献进行了详尽的梳理,首先是世界四大主流电影节的评奖策略与美学研究现状,其次是从中国两岸三地电影着手,分析其电影产业对于世界电影的贡献。第二章主要是对中国两岸三地电影获奖概况的梳理,从欧洲三大电影节作为切入点,对所选电影文本的题材和人物形象进行了统计和分析。第三章通过上一章的统计,选取中国“第五代”、“第六代”以及新生代导演的作品,对中国电影的叙事特点进行了分类型的论述。第四章为本文的结论部分,主要在上述分析的基础上,从电影文化构建与传播的角度思考提升中国两岸三地电影海外传播的能力和对策。
[Abstract]:With the wide popularity of the word "globalization" in the world, film as a media, an art form, a product can not be outside the grand context of "globalization". From home to the world, film is not only an economic industry, but also not limited to the carrier of cultural communication, but also to show the world the "soft power" of its own culture. By shaping characters, stories and background environments, the film conveys its own values and national image to the world, and then has a profound impact on its participation in international affairs. In order to achieve the success of "globalization" communication, Chinese films need to find a coincidence point in the integration of "localization" and "internationalization", so as to realize the unity of Chinese value and world value. In order to gain a foothold in the world film, Chinese film must first have the influence in foreign countries. The social value of Chinese film is accepted by the world, which is the theoretical starting point and value of this paper. This paper is divided into four chapters. The first chapter, the introduction, mainly combs the theoretical literature of Chinese films moving towards the world from two aspects, first of all, the current situation of award evaluation strategy and aesthetics of the four mainstream film festivals in the world, and secondly, starting from the films of the three places on both sides of China. This paper analyzes the contribution of its film industry to the world film. The second chapter mainly combs the general situation of the films in the three places on both sides of China, and makes a statistical and analysis of the themes and characters of the selected film texts from the three major European film festivals as the starting point. The third chapter, through the statistics of the previous chapter, selects the works of the fifth generation, the sixth generation and the new generation of directors in China, and discusses the narrative characteristics of Chinese films in different types. The fourth chapter is the conclusion of this paper, mainly on the basis of the above analysis, from the perspective of film culture construction and dissemination to improve the ability and countermeasures of film overseas communication between the three places on both sides of China.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

【相似文献】