论“无声”画境

发布时间：2018-01-13 15:33

本文关键词：论“无声”画境　出处：《吉林艺术学院》2016年硕士论文　论文类型：学位论文

【摘要】：毕业创作以我对“无声”世界的精神体验为始,从对客观现象世界的感想与体悟中受到感染,尤其聚焦于光线影响下的空间世界,在静止的世界中发现心灵的律动与回响,在对“无声”世界不断寻找的过程中思索其在艺术实践上的可能性,之后在倪云林与爱德华霍珀两位中西艺术家身上获得启示,从他们身上吸收与“无声”画境主题相契合的精神思想,结合自己的体验归纳出“无声”画境的三个特征——“静”“悲剧性”与“永恒感”。在这一不断探索的过程中回复自己对于主题的思考,最后在创作实践中使“无声”画境得以实现。
[Abstract]:In my graduation creation of the "silent" world of spiritual experience as the beginning, from the objective phenomenon of the world feel and experience are infected, especially focusing on the world space under the influence of light, rhythm and soul found in still echoes in the world, in thinking about "the possibility in art practice on the process of silence" the world is constantly looking for the inspiration in Ni Yunlin, after Edward and Hopper two Chinese artists, absorption agrees with the "silent" theme of the painting spirit from them, combined with their own experience summed up the "silent" painting of the three characteristics of "static" tragedy "and" perpetual "thinking on the subject. His reply in the process of continuous exploration, finally in the creative practice of the" silent "painting can be achieved.

【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

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