上海西郊农民画—一种文化的生成与记忆

发布时间：2018-01-13 19:37

本文关键词：上海西郊农民画—一种文化的生成与记忆　出处：《华东师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：起源于上世纪80年代的上海西郊农民画因其技法独特,艺术水平高,内容丰富,在中国农民画中独树一帜,是中国农民画的一个独特的种类。上海西郊农民画的发生、发展、中断、复兴,以及非遗保护下的发展形态,都是本课题研究的重要内容。而作为西郊地方民众的身份记忆,西郊农民画更是我们考察城镇化背景下的民众精神生活的重要对象。本文以西郊农民画的发生发展,中衰和复兴的历程作为基础材料,用传统的建构和发明的思路,通过文化记忆理论,从具象的微观个体出发,分析了西郊农民画这一文化事象背后的政治背景、社会心理和文化记忆等要素,呈现了支配这一文化事象背后交织的各种力量之间的力学互动关系。同时西郊地区民众如何在城镇化和非遗保护的双重背景下,如何留住乡愁,如何保留其身份的记忆,通过对西郊农民画的考察,实际上是对于这个区域快速城镇化过程中的当地民众精神世界的把握,达到对于一种文化符号的理解,从而为西郊农民画更好保护、传承添砖加瓦,最后指出记忆和情感是文化传承的动力之源。
[Abstract]:The peasant paintings in the western suburbs of Shanghai originated in -20s, because of their unique technique, high artistic level and rich content, they are unique in Chinese peasant painting. It is a unique kind of Chinese peasant painting. The occurrence, development, interruption, rejuvenation, and development pattern of peasant painting in the western suburb of Shanghai. It is the important content of this research. And as the identity memory of the local people in the western suburbs. The western suburb peasant painting is the important object of the people's spiritual life under the background of urbanization. This article takes the development, the middle decline and the revival of the western suburb farmer painting as the basic material. Based on the theory of cultural memory, this paper analyzes the political background, social psychology and cultural memory of the western suburb farmers' painting of this cultural phenomenon by using the traditional construction and inventing ideas, through the theory of cultural memory, starting from the microscopic individual of the concrete image, and analyzing the elements such as political background, social psychology and cultural memory, etc. At the same time, the people in the western suburbs how to retain homesickness under the dual background of urbanization and non-legacy protection. How to retain the memory of its identity, through the study of the western suburb farmers painting, in fact, is to the rapid urbanization of the region in the process of local people's spiritual world grasp, to achieve a cultural symbol understanding. Thus better protection for farmers in the western suburbs, heritage, and finally pointed out that memory and emotion are the driving force of cultural heritage.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J219

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