论兼工带写花鸟画中的线条

发布时间：2018-01-19 14:03

本文关键词： 中国画花鸟画线条兼工带写　出处：《沈阳大学》2014年硕士论文　论文类型：学位论文

【摘要】：花鸟画是中国人自古以来喜爱的题材，在中国古代花鸟画历史上，明代是一个重要时代，特别是宣德至弘治时期，明代经济繁荣文化昌盛，由于宣宗朱瞻基雅好诗文书画，以恢复两宋画院盛况为目标，广泛征招民间高手供奉内廷一时名家云集，使宫廷花鸟画曾一度繁荣。宣宗皇帝偏爱花鸟画，自己也是一名出色的花鸟画家，存其传世画作《花下狸奴图》《瓜鼠图》其绘画水平相当高。正因为皇帝本身艺术水平高其品鉴水平也很高，宫廷画师水平也相应高，当时画院内名家辈出，在皇帝的大力倡导下，宫廷画师的作品逐渐占据画坛的主导地位，并引领了当时的花鸟画风格，在此期间花鸟画出现了工笔重彩、水墨写意等多种风格。写意、工笔是中国画的基本表现手法。按发展过程来讲，工与写的发展过程中出现了兼工带写的表现形式，有承前启后的作用。写意、工笔并非完全对立且有一定的互通性。工，不仅仅是指造型严谨、线条细匀、赋色工整一类的绘画风格；写，也不应该只是随性挥洒而不注重格调与规律的。工与写不仅仅是技法的表现，更是精神层面的再现，落实到绘画中，既要写意传神又工整细致还应是兼工带写的表现手法，才能使绘画风格工整精致，细节上又赋有写意精神。中国画的白描只画线不填颜色，也能传神达意，因此国画的传神表现手段是线条。本文以线条的哲理含义阐释线条发展成线画的特殊形式，，并以花鸟作品呈多样化的明代为切入点，着重研究兼工带写花鸟画中的线性思维，与在现实的花鸟画创作中怎样更好的运用兼工带写式的线条。
[Abstract]:Flower and bird painting is a favorite subject of Chinese people since ancient times. In the history of Chinese ancient flower and bird painting, Ming Dynasty was an important era, especially during the period of Xuande to Hongzhi, and the Ming Dynasty was prosperous in economy and culture. As a result of Xuanzong Zhu Qiya good poetry calligraphy and painting, to restore the two Song Dynasty painting Academy as the goal, the widespread recruitment of folk experts to pay tribute to the Neiting, so that the palace flowers and birds painting once prosperous. Emperor Xuanzong preferred flower-and-bird paintings and was also an excellent painter of flowers and birds. Because the emperor's own art level was very high, and the court painters' level was also high, there were a lot of famous artists in the painting institute at that time. Under the strong advocacy of the emperor, court painters' works gradually occupied the dominant position in the painting world, and led the flower-and-bird painting style at that time. During this period, the flower-and-bird painting appeared in a variety of styles, such as fine brushwork, brushwork and freehand brushwork. Freehand brushwork is the basic expression of Chinese painting. According to the development process, the development of the process of work and writing appeared in the process of work with the performance of the form of writing, has the role of connecting the past and the future. Freehand brushwork. Meticulous brushwork is not completely opposite and has certain interoperability. Writing, also should not just swing along with the style and do not pay attention to the law. The work and writing is not only the performance of the techniques, but also the spiritual level of reproduction, to be implemented in the painting. Both freehand brushwork and neat and meticulous work should also be the expressive technique of writing in order to make the painting style neat and exquisite, and to have the spirit of freehand brushwork in detail. The white drawing of Chinese painting can only draw lines without filling in color, and can also evoke meaning. Therefore, the expressive means of traditional Chinese painting is line. This article explains the special form of line development from line to line with the philosophical meaning of line. Taking the variety of flower and bird works as the breakthrough point, this paper focuses on the linear thinking in the writing of flowers and birds, and how to make better use of the writing lines in the realistic flower and bird painting.
【学位授予单位】：沈阳大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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