浅析当代水墨人物画的审美观念取向

发布时间：2018-01-19 14:10

本文关键词： 审美观念水墨当代平面化视觉维度　出处：《西安美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：本文借由改革开放以来社会主义现代化建设、城市化和现代化进程的加剧、国民物质和生活水平得以提高这一社会大环境的变化,试图指出在社会巨大变迁之时当代水墨人物画家的审美观念取向相较于之前发生了较大的改变,并且尝试在当代文化语境下分析水墨人物画家审美观念取向转变的具体呈现。通过列举当代一些较有代表性的水墨人物画家的具体作品实例加以论证,指出当代水墨人物画家审美观念取向的具体呈现主要体现在:从一元到多元、功能性的转化、平面性的回归、形式构成的强化和新视觉维度的开拓这五个方面。文中提到了徐悲鸿与蒋兆和创立的徐蒋体系对其后画家的影响、艺术功用性在社会变迁中发生的改变、图像过剩时代艺术家采用平面化加以应对,并为都市水墨人画中出现的审美新维度进行解说。后续又对水墨人物画家审美观念取向的未来走向进行遐想,提出对待中国水墨人物传统、徐蒋体系的影响和对待西方审美观念的态度;指出每个时代都有其特定的文化语境,当代水墨人物画家的审美观念取向有趋同和悖逆的地方。最后,通过“为了当代而当代”的现象,对当下一些审美跟风的现象进行反思,指出“次”的作品是没有经过画家真实生命活动的提炼而盲目跟风的结果,审美观念出自艺术家自身生活,伪装不得也模仿不来。
[Abstract]:In this paper, by means of socialist modernization construction since the reform and opening up, the city modernization and intensification of national material and life can improve the level of the change of social environment, try to point out before the aesthetic orientation in the great social change of contemporary ink figure painter compared to change greatly, and try in the contemporary cultural context under the analysis of the specific changes ink figure painter aesthetic orientation. Demonstrated by listing some representative of contemporary ink figure painter of specific works, the present pointed out that modern and contemporary ink figure painter aesthetic orientation is mainly reflected in: from one dollar to the yuan, into functional, regression plane. Strengthen the form and develop new visual dimensions of these five aspects mentioned in the text. Xu Beihong and Jiang Zhaohe founded the Xu Jiang system on the following The painter's influence, art function in social change in the image change, the era of excess artists using the plane to deal with, and for the new aesthetic dimensions of urban ink people paintings appear for commentary. Subsequent to ink figure painter aesthetic orientation of the future are put forward to Chinese reverie, traditional ink figure, Xu Jiang system and treat the western aesthetic attitude; pointed out that each era has its specific cultural context, there is convergence and rebellious local aesthetic orientation of contemporary ink figure painter. Finally, through "to the contemporary and contemporary" phenomenon, reflect on the contemporary aesthetic trend phenomenon, pointed out that "time" of the works not refined true artist life activities and blindly follow the trend of the aesthetic ideas from the artist's own life, camouflage shall also not imitate.

【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】