论油画造形中的“拙”

发布时间：2018-01-19 19:52

本文关键词： 油画造形拙巧情感　出处：《郑州大学》2013年硕士论文　论文类型：学位论文

【摘要】：巧与拙是一对既矛盾又统一的关系,在艺术作品中有“巧”的表现,也有“拙”的追求,不同的呈现在其背后都昭示着艺术家对艺术的不同理解和感受。在油画造形中,也是如此,“拙”的作品展现出独特的魅力与内涵。这种独特的形式与原始绘画、儿童绘画、民间艺术、中国绘画之间有着相似和联系的地方,艺术家通过“返璞归真”的表现,在巧与拙的相互转化之间,将自己的精神追求和内在情感融入在绘画作品中,使富含“拙”的油画作品有了与“巧”不一样的情感传达和表现。论文共分为3大部分：首先,是绪论部分,主要对课题研究的背景、目的、研究动态、研究方法等进行了梳理。其次,是文中的2—4的内容,从“拙”的含义到油画中对“拙”追求的渊源再到“拙”所传达的思想情感,最后到“拙”在油画语言中的具体体现,通过这些方面来阐述油画艺术中的“拙”。最后,是全文的总结。
[Abstract]:Skillful and clumsy is a pair of contradictory and unified relations, there is a "skillful" performance in the works of art, but also the pursuit of "clumsy". The different presentation shows the artist's different understanding and feeling of art, and the same is true in the oil painting. This unique form is similar to the original painting, children's painting, folk art, and Chinese painting. Through the expression of "returning to nature", the artist integrates his spiritual pursuit and inner emotion into his painting works between the skillful and clumsy mutual transformation. So that the oil paintings rich in "clumsy" and different from the "skillful" emotional transmission and performance. The thesis is divided into three parts: First of all, it is the introduction part, mainly combing the background, purpose, research trends and research methods of the subject. Secondly, it is the content of 2-4 in the text, from the meaning of "clumsy" to the origin of pursuing "clumsy" in oil painting, to the thought and emotion conveyed by "clumsy", and finally to the concrete embodiment of "clumsy" in oil painting language. Through these aspects to explain the oil painting art in the "clumsy". Finally, it is the summary of the full text.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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