“诗中有画”新解——论唐仕女画与唐诗的互动及意义

发布时间：2018-01-19 20:17

本文关键词： 唐仕女画唐诗互动意义　出处：《四川戏剧》2017年09期 　论文类型：期刊论文

【摘要】：唐代诗、画并兴,基于互通的艺术特征和创作经验,二者走上了互动、共构的发展道路。唐仕女画"应物象形""骨法用笔""随类赋彩""经营位置""传移模写"的造型技巧,以及"气韵生动"的艺术效果,均对唐诗女性形象描写有重要的影响。唐诗女性形象描写的意境、风格也影响了仕女画的创作。初盛唐仕女画的"高贵典雅"和中晚唐仕女画的"忧郁闲逸"的美学基调与唐诗女性形象的共构,奠定了具有华夏美学特征的"仕女"形象的形成,进而影响了后世古典文学女性形象的描写。
[Abstract]:Tang Dynasty poetry, painting and prosperity, based on the mutual artistic characteristics and creative experience, the two on the interaction. The art effect of "vivid charm" and "vivid rhyme" in Tang Shi Nu's painting "pictograph of object", "brush with bone method", "color with color", "position of management", "transmission and shifting mold writing", as well as artistic effect of "vivid charm". Tang poetry female image description has an important impact. Tang poetry female image description of artistic conception. Style also affected the creation of female paintings. The "noble and elegant" painting of the early prosperous Tang Dynasty and the aesthetic tone of "melancholy and leisure" of the female paintings in the middle and late Tang Dynasty and the female image of Tang poetry were co-constructed. It establishes the formation of the image of "lady" with the characteristics of Chinese aesthetics, and then influences the description of female image in later classical literature.
【作者单位】：江苏第二师范学院教育科学学院;
【基金】：江苏第二师范学院博士专项科研启动基金项目(项目编号:JSNU2015BZ13)阶段性研究成果
【分类号】：I207.22;J212
【正文快照】： 唐诗、画并兴,基于互通的艺术特征和创作经验,二者走上了互通、共构的发展道路。受苏轼“诗中有画”“画中有诗”的影响,历来学界研究诗歌与绘画关系时,多论及唐山水诗对绘画艺术的借鉴,忽略了占据画坛重要地位的仕女画与唐诗女性形象描写的互动及意义。陶文鹏先生最早注意到

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