试析明代肖像画的平面性造型特征

发布时间：2018-01-20 18:16

本文关键词： 明代肖像画造型平面性传承创新　出处：《首都师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：中国绘画艺术源远流长,工笔人物画在历史长河中经过了漫长而深远的发展,呈现出具有东方审美情趣的独特而稳定的艺术面貌。从工笔人物画的继承与发展来看,中国画优秀传统是历朝历代绘画的坚实基础,因为在传统的面前我们能理解到中国画所独有的魅力。在正确看待历代工笔人物画发展的过程中,也应该引起我们对于现当代工笔人物画发展走向问题的思考。对于传统,我们应该从中继承什么;对于外来文化因素,我们如何吸收有益的东西。在当代工笔人物画繁荣发展的现状背后,来看工笔人物画对传统的回归、复兴与未来发展的问题。本文从中国人物画造型观独特的平面性来入手,平面性的造型是中国绘画的基本特征,是区别于西方绘画的根本也是中国绘画所特有的风格与意境。以明代肖像画为例来分析平面性在历史进程中的发展与变化,通过对明代肖像画作品的的研究和分析,来阐述自己对于明代肖像画中平面性的一点理解,同时引出本文对于中国工笔人物画发展现状的思索。
[Abstract]:Chinese painting art has a long history, meticulous figure painting in the history of a long and far-reaching development, showing a oriental aesthetic taste unique and stable artistic appearance. From the inheritance and development of the fine brushwork figure painting, the fine tradition of Chinese painting is the solid foundation of each dynasty painting. Because in front of the tradition we can understand the unique charm of Chinese painting. It should also cause us to think about the development of modern and contemporary figure painting. For foreign cultural factors, how do we absorb the beneficial things. Behind the prosperity and development of contemporary meticulous figure painting, we look at the return of traditional Chinese figure painting, revival and future development. This article starts with the unique planarity of the Chinese figure painting modeling view, which is the basic feature of Chinese painting. It is the fundamental difference from western painting and the unique style and artistic conception of Chinese painting. Take the portrait painting of Ming Dynasty as an example to analyze the development and change of planarity in the historical process. Through the study and analysis of the portraits of the Ming Dynasty, this paper expounds his understanding of the planarity of the portraits of the Ming Dynasty, and leads to the thinking of the development of the Chinese fine brushwork figure painting in this paper.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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