走向现代的自觉与自信——陈师曾及其跨时代意义刍论

发布时间：2018-01-20 20:38

本文关键词： 陈师曾跨时代大变局传统文化艺术文化主体整理国故部分和吴昌硕画学中国美术馆 　出处：《美术观察》2017年05期 　论文类型：期刊论文

【摘要】：正近代以来,随着历史的沧桑巨变,中西文化的碰撞、对话、融合成为社会发展的关键词,也改变着人们的世界观、价值观。在短短百余年间,整个中国实开"三千年未有之大变局"。在这个大变局中,中国传统文化艺术的何去何从始终处于激荡的风口浪尖,是如"美术革命"般决绝,还是像"整理国故"般坚守,是"在传统中变"还是"在传统外变",是"改良新国画"还是"纯粹采西法"……各种言说与实践相继展开,且依然持续。百年回首,当我们以同情与理解的眼光重新审视,可以发现,所有这些努力,都有着其各自合理的历史语境和阐释逻辑,而且也已成为时代前行中不可拆解的重要部分和新的
[Abstract]:Since modern times, with the vicissitudes of history, the collision of Chinese and Western cultures, dialogue, integration into the key words of social development, but also change people's world outlook, values. In a short period of more than 100 years. In this great change, the Chinese traditional culture and art has always been at the forefront of the storm, which is like the "art revolution." Or is it "changing in the tradition" or "changing outside the tradition", "improving the new Chinese painting" or "purely adopting the Western method" as "sorting out the country's heritage". All kinds of words and practices have been carried out one after another. Looking back over a hundred years, we can find that all these efforts have their own reasonable historical context and interpretation logic when we re-examine them with sympathy and understanding. And it has become an unbreakable part of the era and a new one.
【作者单位】：中国美术馆;
【分类号】：J205
【正文快照】： 近代以来,随着历史的沧桑巨变,中西文化的碰撞、对厅,以“沙龙雅集”方式钩沉其生平、交友、著述,力图部分话、融合成为社会发展的关键词,也改变着人们的世界观、还原陈师曾与民初文艺界往来的交往圈我们希望借此揭示价值观。在短短百余年间,整个中闰实开“三千年未有之大变其

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