捍卫“眼”的立

发布时间：2018-01-20 22:51

本文关键词： 梅洛-庞蒂塞尚利奥塔身体观看图形　出处：《当代文坛》2016年03期 　论文类型：期刊论文

【摘要】：古老的西方思想史起源于理性对于身体(眼)的不信任,从柏拉图到笛卡尔"逻各斯-理性主义"向人类担保一个非物质的、超验的世界,并将它规定为人类所惟一应该追求的境地。20世纪30年代,梅洛-庞蒂通过寻找肉身与世界的最初联系,提出"将身体借给世界",世界是有待于"看",令人"见"的,而画家独具这种"看"的天赋,梅洛-庞蒂透过塞尚的绘画揭示出现代艺术观看机制的生成:重新用"眼""观看"世界,通过"身体(眼)"的参与,确立"世界"的存在,呈现"世界"的真相。进入后现代,利奥塔同样青睐于塞尚,并以此作为起点或向度,捍卫"眼"的立场,站在图形世界的立场,揭示真正的"见","去-把握"无结构的"见",以此来推动后现代艺术观看机制的嬗变,即视觉与观念、感觉与理解、解构与建构的流变。
[Abstract]:The ancient history of Western thought originated from the distrust of the body (eye) by reason, from Plato to Descartes "logos-rationalism" to guarantee a non-material, transcendental world to mankind. In 30s in the 20th century, Melo Ponty proposed that "lend the body to the world" by looking for the initial connection between the body and the world. The world is to be "seen". "see", and the painter has this unique "see" talent, Melo-Ponty through Cezanne's painting revealed the formation of modern art viewing mechanism: re-use "eyes" to see "the world". Through the participation of "body (eye)", the existence of "world" is established and the truth of "world" is presented. In the post-modern era, Liotta also favors Cezanne and takes it as the starting point or direction to defend the position of "eye". From the standpoint of graphic world, it reveals the real "see", "go-grasp", "see without structure", in order to promote the evolution of the viewing mechanism of post-modern art, that is, vision and concept, feeling and understanding. The evolution of deconstruction and construction.
【作者单位】：四川大学艺术学院;青岛农业大学动漫与传媒学院;
【基金】：四川省美学与美育研究中心一般项目“‘眼’的立场:后现代艺术观看机制研究”资助,项目批准号:15004
【分类号】：J205
【正文快照】： 当世界呈现在我们面前,西方的哲人们一开始就选择了“阅读”的方式、“话语”的立场、“理性”的态度以及知识、理念、精神的明晰之光惺惺相惜。古老的西方思想史起源于理性对于身体(眼)的不信任。从柏拉图的《斐多》篇:“灵魂最能思考的时候,是在它摆脱一切干扰,不听,不看,不

【相似文献】