谈色彩在中国画中的运用与表现

发布时间：2018-01-22 12:02

本文关键词： 中国画色彩表现水墨设色　出处：《中央民族大学》2015年硕士论文　论文类型：学位论文

【摘要】：中国画是东方艺术界中的一件瑰宝,屹立于华夏大地。几千年来,她赋予了我们数也数不清的记忆,遗留下来的珍品更是难能可贵。对色彩的表达与运用,也是逐渐在提高。中国画发展到今天,她依然在进步中。与以往相比,无论是西方还是东方,美术史的发展都比较缓慢,色彩的应用也是相对“稚嫩”些,基本是千年一个阶段。早期,社会生产力还不够发达,比如建造一座古埃及金字塔,会耗费巨大的物力、财力。经过历史的变迁,生产力逐渐得到改善,社会也同样在进步,以至于美术史也是百年一个阶段,人们对色彩的“领悟”,逐渐从感性走到理性,愈加娴熟；再后来,生产力高速发展、生产关系得到更大改善,美术史也“不甘落后”,人们在绘画中所运用的色彩观念逐渐丰富,几十年甚至是十几年就是一个快速发展、变化创新的阶段。这期间,像印象派从有不被认可到19世纪中叶的突然“爆棚”,使我们意识到了“色彩感觉”,反而取代了以往的“酱油调”；从魏晋之后,中国画逐渐从石窟里的壁画走到绢本设色的工笔人物；宋末元初水墨画的出现,打破了前朝时的设色重彩；明清时期各种绘画流派的兴起等,都是在演变、进步中。人们对色彩也更加“敏锐”,在使用颜色、创造颜色时非常讲究。而到了当代,美术史的发展几年里就是一个台阶了。如今,对于颜色的运用仿佛是挑战者在攀爬一样,阶梯越来越高,台阶也会越来越多,但你却始终看不到她的尽头,也许,这就是色彩在伴随着中国画的发展与其变化的魅力所在吧,永无止境。使用颜色,好比在表演魔术!我相信,色彩在中国画中的运用与表现将会变得更加辉煌、璀璨。
[Abstract]:Chinese painting is a treasure in the oriental art circle, standing in the land of China. For thousands of years, she has given us countless and innumerable memories, and the treasures left behind are even more precious. The expression and use of color. The development of Chinese painting to today, she is still in progress. Compared with the past, whether in the West or the East, the development of art history is relatively slow, the application of color is relatively "tender". In the early years, social productivity was not developed enough. For example, the construction of an ancient Egyptian pyramid would cost a great deal of material and financial resources. After historical changes, productivity gradually improved. The society is also in progress, even art history is also a century-old stage, people to color "understanding", gradually from perceptual to rational, more skilled; Later, with the rapid development of productive forces, the relations of production were improved greatly, the history of art was also "not willing to lag behind", people used in painting color concept gradually enriched. Decades or even decades is a period of rapid development, change and innovation. During this period, like the Impressionists' sudden "ceiling" from not being recognized to the middle of 19th century, we are aware of the "color feeling". Instead of the former "soy sauce"; After the Wei and Jin dynasties, Chinese paintings gradually moved from the murals in the grottoes to the fine brushwork figures in the silky books. The appearance of ink and wash painting in the late Song Dynasty and the early Yuan Dynasty broke the color setting of the former dynasty. In the Ming and Qing dynasties, the rise of various painting schools is in the process of evolution and progress. People are also more "sensitive" to color, in the use of color, the creation of color is very fastidious, and to the present age. Art history has been a step for a few years. Now, the use of color is like a challenger climbing, the steps will be higher and higher, but you will never see her end. Perhaps, this is the color with the development of Chinese painting and its changes in the charm of it, endless. Use color, like performing magic! I believe that the use and performance of color in Chinese painting will become more brilliant and bright.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

【共引文献】