近十年黑龙江乡土油画地域风格研究

发布时间：2018-01-22 13:04

本文关键词： 黑龙江乡土油画地域性油画创作　出处：《哈尔滨师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：近十年黑龙江乡土油画成长在大力发展北疆艺术文化的关怀之下，在政治要求切合实际的贴近黑龙江乡土油画艺术创作的基本思路和满足基本诉求。本篇论文抓住明确的时间范畴，选择对近十年黑龙江乡土油画发展起到至关重要的地域性因素为切入点。简单梳理概括出解放时期到二十世纪末的黑龙江油画发展脉络，回顾黑龙江油画创作60年发展历程的从无到有，从单一模仿到多元化融合的旅程，，了解对黑龙江油画艺术创作做出卓越成就的老一辈油画艺术家韩景生、孙云台、石揖等人的艺术成就和作品，从韩景生创作的《乡间庭院》中找到黑龙江乡土油画即将萌芽的影子，到孙云台创作《森林》中对油画地域性的探究，从他们身上寻找最初黑龙江油画即将萌发的先决条件，并继续按照时间发展顺序依次排列出文革时期、文革结束后期、八五思潮、北方艺术群体后，在最后分析出90年代风景油画中寻求乡土油画和黑龙江地域性的影子。按照例举、分析的方式方法先简单介绍当前国内著名的乡土油画家及作品，之后在详细介绍近十年黑龙江乡土油画创作者以及作品中涉及到地域性因素，详细例举出黑龙江著名乡土油画画家郑艺、王宝成、杜晓东等多位黑龙江乡土油画创作者，并对作品进行分析，得出黑龙江地域性与他们创作之间联系。再结合国内和省内乡土油画创作给出乡土油画创作与地域性的关系。并通过黑龙江省内举办研讨会中参会人员的报告的细致分析后，结合他们观点和建议剖析近十年乡土油画应注意的事项和需突破的问题。论文最后着重剖析近十年黑龙江乡土油画的发展现状，再从中反复强调地域性对当下乡土油画的影响，最终在黑龙江乡土油画的未来展望中分析现存的问题，提出扫除障碍的观点，同时更要呼吁人们关注乡土油画发展，在通过乡土油画的关注把焦点引向关注黑龙江文化发展和文化产业上去。
[Abstract]:In the past ten years, Heilongjiang native oil painting has grown up under the care of the development of art and culture in the north of Xinjiang. In the political requirements in line with the reality of the Heilongjiang local oil painting art close to the basic ideas and meet the basic demands. This paper grasps a clear time category. Select the most important regional factors for the development of Heilongjiang local oil painting in the past ten years. Briefly summarize the development of Heilongjiang oil painting from the liberation period to the end of 20th century, review the 60 years of Heilongjiang oil painting development from scratch, from a single imitation to the integration of the journey of diversification. Understand the achievements and works of the older generation of oil painting artists Han Jingsheng, Sun Yuntai, Shi Yi and others who have made outstanding achievements in oil painting creation of Heilongjiang. From Han Jingsheng's "country Courtyard" to find the shadow of Heilongjiang local oil painting is about to sprout, to Sun Yuntai's creation "Forest" to explore the regional nature of oil painting. From them looking for the initial Heilongjiang oil painting is about to germinate, and continue to according to the sequence of development of the Cultural Revolution period, the end of the Cultural Revolution, the eighth Five-year trend of thought, after the Northern Art Group. In the end, the author analyzes the shadow of local oil painting and Heilongjiang regional oil painting in 90s landscape oil painting. According to the examples, the way and method of the analysis of the current domestic famous local oil painters and works, after a detailed introduction of the nearly ten years Heilongjiang local oil painting creators and works involving regional factors. Detailed examples of Heilongjiang famous local oil painting painter Zheng Yi, Wang Baocheng, du Xiaodong and many other Heilongjiang local oil painting creators, and analysis of the works. The relationship between the regional nature of Heilongjiang and their creation is obtained. The relationship between the local oil painting creation and the regional nature is given in combination with the local oil painting creation in China and in the province, and the report of the participants in the seminar held in Heilongjiang Province is made. After careful analysis. Combined with their views and suggestions to analyze the recent ten years of local oil painting should pay attention to and the need for breakthrough. The last part of the paper focuses on the analysis of the development of Heilongjiang local oil painting in the past ten years, and then repeatedly stressed the impact of regional on the current local oil painting, and finally analyzed the existing problems in the future prospects of Heilongjiang local oil painting. At the same time, we should call on people to pay attention to the development of local oil painting, and focus on the development of Heilongjiang culture and cultural industry through the attention of local oil painting.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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