李文信山水画风格的地域性探索
本文关键词: 李文信 山水画 地域性 出处:《西南大学》2017年硕士论文 论文类型:学位论文
【摘要】:中国山水画发展历时千年,在整个山水画的发展历程中,山水画与地域性有紧密关系。尤其在二十世纪山水画发展方向探索的多元实践中,山水画写生之风盛行,在这样的时代思潮影响下,反映地域特征的山水画研究和实践兴盛一时。对山水画地域性的研究,也是山水画创作推陈出新的关键因素。李可染、傅抱石、陆俨少、贾又福都从不同的地域特征探索出不同的成果。而巴蜀著名山水画家李文信先生,生长于巴山蜀水之间,以巴蜀山水为依托,经年写生研究,形成了独具个性的山水画风格及其独特的山水画艺术语言。李文信山水画在地域性探索中极具影响,而未被人所知。本文试图通过有代表性的地域自然环境特征与山水画表现题材、笔墨语言之间的内在联系,分析李文信山水的地域性探索价值所在和重要贡献。山水画艺术语言是区别画家以及山水流派之间艺术风格的重要因素。山水画语言的笔墨表现、意象符号、设色方法等等都深深的烙着地域自然环境特征和地域文化的影响。李文信先生长期写生于巴蜀独特的地域自然环境中,吸收独特的自然地貌特征面貌和地域审美特质,塑造出具有独特文化品格和个性鲜明的山水画风格。在山水画的写生、创作中,坚守地域特征,一方面,可以创造出地域性的山水图式,推动山水画艺术面貌的创新。山水画地域图式的创造和坚守,也是创造出地域特色化山水的重要内容。另一方面,可以从山水画艺术语言层面研究地域性山水画笔墨语言、意向符号、设色技法,创造出优秀的山水作品。论文首先从理清地域性与山水画之间的关系着手,梳理地域自然环境特征、地域文化与山水画之间的紧密关系。通过对李文信先生的师承关系、时代影响和蜀山情怀等艺术背景研究,进一步阐述李文信对巴蜀地域自然环境特征的山水画艺术语言探索。第二部分主要结合李文信先生的山水作品对有代表性、典型的地域自然环境特征进行分析,分为于林木处夺天工、曲径清溪、设色浓重清雅等组成。第三部分,研究李文信巴蜀山水画的形式构造和艺术语言的独特之处和艺术价值所在。山水画地域图式来源于特定地域自然环境的艺术处理,是形成个人艺术风格的重要标志。本文通过对李文信山水画风格的地域性探索的研究,深刻挖掘李文信先生山水画艺术语言与巴蜀地域特征之间的紧密关系。研究山水画的地域性是构建山水画地域性图式和探索地域性艺术语言的必然选择,是形成地域山水流派的个人价值所在。实现山水画的图式创新和艺术语言创造,是创作经典山水范式的必要条件,因此地域性的探索对当代山水画的创新有极其重要的作用。
[Abstract]:The development of Chinese landscape painting lasted for thousands of years, in the whole landscape painting development process, landscape painting and regional characteristics have a close relationship, especially in 20th century landscape painting development direction of exploration of the multiple practice. Landscape painting of the prevailing wind, under the influence of such a trend of thought, reflecting the regional characteristics of landscape painting research and practice flourished for a while. It is also a key factor in the creation of landscape painting. Li Keran, Fu Baoshi, Lu Yanshao, Lu Yanshao from different regional characteristics to explore different results. And Bashu famous landscape painter Mr. Li Wenxin. Growing between Bashan and Shu, relying on the Bashu landscape and studying the sketches over the years, the unique style of landscape painting and its unique artistic language of landscape painting have been formed. Li Wenxin landscape painting has great influence in the regional exploration. This paper attempts to represent the natural environment characteristics of the region and the theme of landscape painting performance, the internal relationship between the pen and ink language. Analyze the regional exploration value and important contribution of Li Wenxin. Landscape painting art language is an important factor to distinguish the artistic style between painters and landscape schools. The color setting method and so on are deeply branded by the regional natural environment characteristics and the influence of the regional culture. Mr. Li Wenxin has been sketching in the unique regional natural environment of Bashu for a long time. Absorb the unique features of natural landform features and regional aesthetic characteristics, create a unique cultural character and distinctive personality of landscape painting style. In the painting of landscape painting, the creation, adhere to the regional characteristics, on the one hand. It can create regional landscape schema and promote the innovation of landscape painting art. The creation and adherence of landscape painting regional schema is also an important content to create regional characteristics of landscape. On the other hand. From the aspect of landscape painting art language, we can study the regional landscape painting language, intention symbols, color techniques, create excellent landscape works. Firstly, this paper starts with the relationship between regional painting and landscape painting. Combing the characteristics of regional natural environment, the close relationship between regional culture and landscape painting. Through the relationship of Mr. Li Wenxin, the influence of the times and the feelings of Shushan art background. Further elaborated Li Wenxin to the Bashu region natural environment characteristic landscape painting artistic language exploration. The second part mainly unifies Mr. Li Wenxin's landscape works to have the representative, the typical region natural environment characteristic carries on the analysis. It is divided into natural work in the forest, Qujing Qingxi, color, heavy, elegant and so on. The third part. This paper studies the unique features and artistic value of Li Wenxin's Bashu landscape painting. The regional schema of landscape painting originates from the artistic treatment of the natural environment of a specific region. This paper studies the regional exploration of Li Wenxin's landscape painting style. Deeply excavating the close relationship between the artistic language of Mr. Li Wenxin's landscape painting and the regional characteristics of Bashu. It is an inevitable choice to construct the regional pattern of landscape painting and explore the regional artistic language of landscape painting to study the regionality of landscape painting. It is the personal value of forming the regional landscape school. To realize the schema innovation and artistic language creation of landscape painting is the necessary condition for the creation of classical landscape paradigm. Therefore, regional exploration plays an extremely important role in the innovation of contemporary landscape painting.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J212
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