中国当代油画语言的符号化表达

发布时间：2018-01-30 19:26

本文关键词： 当代油画符号化语言形式内容平面化特征　出处：《华中师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：当代艺术,就是我们正在经历的、现在正在发生的艺术,主要指具有现代精神和具备现代语言的艺术。油画艺术是当代艺术领域不可或缺的表现形式。油画语言本身具有其内在规律,媒介材料是艺术语言的物质基础。从油画语言的符号形式出发,分析符号形式的发展理论及其发展规律如何影响当代中国的油画艺术语言,对受此艺术思想影响的艺术流派和艺术家进行解析。中国艺术家处于时代变更转型期间,社会转变对艺术家的创作会产生很大影响。国际化艺术语言环境让中国当代艺术更具有个人符号化的创作表达。全球化的今天社会,绘画者更需要去寻找一种差别与其他画家的符号语言,以使自己在潮流中凸显出来,本文旨在从哲学角度出发,分析当代中国油画语言的表达方式,举例论证中国当代油画创作的观念表达以及艺术家的时代性思维模式转变。阐述油画语言中符号形式表达的重要性及其对当代艺术创作的借鉴意义。本文将从以下四个章节予以简要论述：第一章：中国当代油画为视觉艺术提供了阅读图式符号的广阔世界,这种符号的形成就是一种绘画“语言共识”,这种现象就是我们所提到的当代油画创作中的符号化倾向。我试图从符号化的形式和内容的概念及其关系进行论述。中国当代国际化语境下符号化的情感表达方式进行阐述,对中国当代市场化语境下符号化形成的条件进行分析。第二章：解析当代油画创作中符号化语言的运用方法：黑白灰图式语言符号化探索；结构、空间感绘画语言的符号化探析；笔触、线条、肌理在油画语言中的符号化运用。以及当代油画创作语境中色彩语言符号形式的运用。第三章：中国当代很多作品如同儿童画般平面,这种平涂方式在创作中司空见惯。这种平面设计感的作品给人耳目一新之感。也侧面反映出来我国当代艺术创作中的一种平面化追求。第四章：我国当代油画符号化创作特征日益明显,通过例举当代具有代表性的艺术家岳敏君、张晓刚、王广义来阐释其符号化特征下不同的内在涵义。
[Abstract]:Contemporary art is what we are going through, what is happening now. Oil painting art is an indispensable form of expression in the field of contemporary art. Oil painting language itself has its inherent law. Media material is the material basis of art language. From the perspective of the symbolic form of oil painting language, this paper analyzes how the development theory of symbol form and its development law affect the contemporary Chinese oil painting art language. The art schools and artists affected by this artistic thought are analyzed. Chinese artists are in the period of time change and transformation. Social changes will have a great impact on the creation of artists. The international artistic language environment makes Chinese contemporary art more personal symbolic creative expression. Globalization of today's society. Painters more need to find a difference from other artists in the symbolic language in order to make themselves prominent in the trend, the purpose of this article from a philosophical point of view, analysis of contemporary Chinese oil painting language expression. This paper illustrates the concept expression of Chinese contemporary oil painting creation and the change of the contemporary thinking mode of the artist, and expounds the importance of the symbol form expression in the oil painting language and its reference significance to the contemporary art creation. This article will be briefly discussed in the following four chapters: The first chapter: Chinese contemporary oil painting provides the broad world of reading schematic symbols for visual art, and the formation of this kind of symbol is a kind of painting "language consensus". This phenomenon is the symbolization tendency of contemporary oil painting that we mentioned. I try to discuss the concept and relationship of symbolization form and content. The emotional expression of symbolization in Chinese Contemporary International context. To elaborate. This paper analyzes the conditions of symbolic formation in the context of contemporary marketization in China. Chapter II: analysis of the use of symbolic language in contemporary oil painting: black and white gray schematic language symbolization exploration; Structure, space sense of painting language symbolic analysis; The use of strokes, lines and texture in the symbolization of oil painting language and the use of color language symbols in the context of contemporary oil painting creation. Chapter three: many contemporary Chinese works are like children's paintings. This kind of flat painting method is common in creation. This kind of graphic design works give people a fresh feeling. It also reflects a kind of planarization pursuit in contemporary art creation of our country. Chapter 4th: the characteristics of symbolization of contemporary oil paintings in China are becoming more and more obvious. Through illustrating the representative artists Yue Minjun, Zhang Xiaogang and Wang Guangyi, we can explain the different inherent meanings under the symbolization characteristics.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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