当代工笔人物画用线的艺术特点

发布时间：2018-01-31 20:11

本文关键词： 线线形造型观多元化　出处：《西安美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：本文通过研究当代工笔人物画创作中的用线艺术来论述当代工笔人物画用线的艺术特色。“线”造型是中国画造型的基础，也是笔墨的主要组成部分。线描，作为中国传统绘画的一门独立的艺术样式，它集中体现了中国传统文化的精髓。线以骨气为质，“骨法用笔”，也进一步的体现了线描与书法之间有着必然的联系。当代工笔人物画的用线在继承传统的基础上不断创新与发展，呈现出了多元化的趋势，，更加趋于装饰性，抽象性和多样性。本文从三个部分来晰明观点，首先，从研究中国传统绘画用线的艺术特征来进行分析线的形态及关系，通过运用线条的长短、粗细、刚柔、强弱、轻重、顿挫、方圆等变化，恰到好处的表现物象。线形与书法用笔之间的联系，其运用书法的用笔，抑扬顿挫、快慢急徐地“写”出变化丰富的线条。其次，对传统绘画及当代工笔人物画中线的特征、用线规律之间的联系与区别进行研究，线的应用和组织不是客观的模仿和照抄，而是一种辨识度和锤炼，更多的是通过内心与视觉进行筛选和重组，这种虚拟性是为了更好的在二度空间上表述意象。最后从当代工笔人物画的多元化用线趋势进行研究，这一部分为文章的核心部分，详细地分析了当代工笔人物画中用线的多元化特征，主要从写意性用线、装饰性用线、抽象性用线以及多样性的用线来进行论述。随着传统到现代意识的转变，中国工笔人物画也呈现出了多元共生，异彩纷呈的局面。在继承传统工笔人物画技法的同时，将传统工笔人物画的精神发展、延伸，如更多的吸收民间的艺术形式和技法，并融合吸收西方的艺术精华。工笔的绘画技法也在一定的程度上融入了多元的精神，改变了传统技法上的刻板与匠气，更加地丰富了当代工笔人物画的绘画语言。这也是艺术创新的永恒状态，这种“多元共生”的现象也将长期存在并发展下去。
[Abstract]:This paper discusses the artistic characteristics of the line of contemporary meticulous figure painting by studying the art of using line in the creation of contemporary fine brushwork figure painting. "Line" modeling is the foundation of Chinese painting modeling, and is also the main component of brush and ink. Line drawing. As an independent art style of Chinese traditional painting, it embodies the essence of Chinese traditional culture. It also further reflects the inevitable relationship between line drawing and calligraphy. The use of modern meticulous figure painting on the basis of inheriting the traditional innovation and development, showing a diversified trend, more decorative. Abstraction and diversity. This article from three parts to clear the point of view, first, from the study of the artistic characteristics of traditional Chinese painting lines to analyze the shape and relationship, through the use of line length, thin, rigid and soft, strong and weak, light and heavy. The change of cadence, square circle, etc. The relation between line shape and calligraphy pen, its use of calligraphy pen, cadence, fast and quick to "write" the line of change rich. Second, the connection between the line and the calligraphy pen. Second, the connection between the linear shape and the calligraphy pen, its use calligraphy pen, cadence, quickly and quickly "writes" the change rich line. The characteristics of the middle line of traditional painting and contemporary figure painting are studied. The application and organization of line is not an objective imitation and copy, but a degree of identification and exercise. More through the heart and vision to screen and reorganize, this virtual is to better express the image in the second space. Finally, from the contemporary meticulous figure painting multi-line trend to study. This part is the core part of the article, detailed analysis of the contemporary meticulous figure painting line in the diversity of characteristics, mainly from freehand brushwork lines, decorative lines. The abstract uses the line as well as the diversity uses the line to carry on the discussion. With the change from tradition to modern consciousness, Chinese meticulous figure painting also presents a multi-symbiotic and colorful situation. While inheriting the traditional meticulous figure painting techniques, the spirit of traditional meticulous figure painting will be developed. Extension, such as more absorption of folk art forms and techniques, and the integration of Western art essence. Fine brushwork painting techniques are to a certain extent incorporated into the spirit of diversity. It has changed the stereotype and craftsmanship of the traditional technique, enriched the painting language of contemporary meticulous figure painting, which is also the eternal state of artistic innovation, this kind of "pluralistic symbiosis". The phenomenon will also exist and develop for a long time.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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