身份建构:世界艺术中的肖像画

发布时间：2018-02-07 15:04

本文关键词： 身份建构文化认同世界艺术跨文化肖像画　出处：《民族艺术》2017年01期 　论文类型：期刊论文

【摘要】：世界各地肖像画大体有三种表现方式:再现性、通用性和象征性。西方艺术以再现为主要特征,肖像画多强调外观的肖似。长期以来,因为形似透镜的原因,非西方国家如中国、日本等国使用的通用肖像表现,以及非洲名字标注、服饰和语境等宣示身份和刻画人物的策略,都得不到西方的认可。然而,全球化的加剧和话语的拓展,导致西方文化中艺术的边界发生变化,非西方肖像的表现准则构成了西方肖像画新范式形成的基础。
[Abstract]:There are generally three ways to express portraits around the world: reproducibility, generality and symbolism. Western art is characterized by reproduction, and portraits emphasize the resemblance of appearance. For a long time, because of lens-like appearance, Non-Western countries, such as China, Japan, and other countries, such as China, Japan, and other countries, as well as African names, clothing and context to declare identity and portray strategies, are not recognized by the West. However, the intensification of globalization and the expansion of discourse, As a result, the boundary of art in western culture changes, and the expression criterion of non-western portraits forms the basis of the new paradigm of western portrait painting.
【作者单位】：山东艺术学院;
【基金】：山东省社科规划重点项目“《世界艺术研究》译著”(16BWYJ03)阶段性成果
【分类号】：J205

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