方闻中国山水画研究方法论析

发布时间：2018-02-07 15:42

本文关键词： 方闻中国山水画视象结构分析断代真伪辨析再现表现　出处：《杭州师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：方闻在以山水画为主体的中国绘画史研究中,以中国山水画与西方艺术相异的视觉语汇为基本语境,借鉴吸收西方艺术史研究方法,试图从具有一定客观标准性方法体系的研究中打破以往以感性经验为主的中国绘画真伪辨析以及基本材料罗列所呈现的中国绘画史研究旧局面,并在对绘画作品本身所进行的分析中,试图走出以往以王朝更替为线索的循环历史观的研究困境,建立更为详尽明晰的中国绘画史以及探索更为深刻的中国山水画独特视觉语汇下的中国艺术文化精神。方闻在其以《心印》一书为代表的中国绘画史研究中,借鉴吸收图像学形式分析风格理论等西方艺术史研究方法对以山水画为主体的中国绘画具体作品进行了形式及风格分析,以建立中国山水画基本语汇起步,在对绘画作品中所体现的视象结构形态变化的观察中,对中国8-14世纪的山水画进行了三个阶段的分期,以此串联出一部中国山水画史,并在此基础上,试图解决中国绘画史所面对的核心问题——断代及真伪辨析。方闻通过对具体绘画作品的分析,以及由此构建起的中国山水画史,中国山水画在其独特视觉表达语汇下的最终落脚点凸显为中国绘画美学中?再现?和?表现?问题。中国山水画经历了早期对自然山水之?真?的极致追求并最终在?再现?自然笔墨技法的纯熟后复又回归具有更为广阔性表达的?表现?中。中国绘画艺术审美中的文人画趣味及其在绘画中所要传达的理念和精神由此揭示。
[Abstract]:In the study of the history of Chinese painting with landscape painting as the main body, Fang Wen takes the visual vocabulary of Chinese landscape painting and western art as the basic context to draw lessons from the research methods of western history of art. This paper attempts to break the old situation of the study of Chinese painting history, which used to be based on perceptual experience, and from the research of certain objective standard method system, as well as the analysis of the truth and falsehood of Chinese painting and the listing of basic materials. And in the analysis of the painting itself, I try to get out of the past cycle of historical change as a clue to the plight of the research. To establish a more detailed and clear history of Chinese painting and to explore the spirit of Chinese art and culture under the unique visual vocabulary of Chinese landscape painting. Formal analysis? The style theory and other western art history research methods analyze the form and style of the concrete works of Chinese painting with landscape painting as the main body, in order to establish the basic vocabulary of Chinese landscape painting, In the observation of the changes of the visual structure and form embodied in the painting works, the landscape paintings of China in the 8-14 century are divided into three stages, so as to produce a history of Chinese landscape paintings in series, and on this basis, This paper tries to solve the core problems in the history of Chinese painting-the history of Chinese landscape painting, based on the analysis of concrete paintings and the history of Chinese landscape painting. Chinese landscape painting in its unique visual expressions under the final focus of the highlight of Chinese painting aesthetics? Reappearance? And? Performance? Chinese landscape painting experienced the early natural landscape? Really? The ultimate pursuit and ultimate? Reappearance? Natural pen and ink techniques after mature and return to have a broader expression? Performance? The taste of literati painting in the aesthetic of Chinese painting and the idea and spirit to be conveyed in painting are revealed.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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