油画中镜子的图像学研究

发布时间：2018-02-09 12:06

本文关键词： 神秘幻象宗教象征视觉趣味性非视域空间真善美　出处：《青岛科技大学》2014年硕士论文　论文类型：学位论文

【摘要】：“镜子”图像以其强大的生命力渗透于绘画艺术领域之中，并进一步发展成为绘画领域中最早的传统母题之一，呈现出异彩纷呈的局面。在绘画艺术领域中不仅形成了以伦理教化为主要功能的道德之镜，还形成了以抒发情感为主的寄情之镜。但这些都不是镜子与绘画艺术结合之最精彩点，所以我们有必要对“镜子”图像在绘画中的各种呈现方式、象征含义和审美趣味作更进一步的了解。本文力求从时间和空间两方面对绘画中的“镜子”图像进行全面、系统的梳理，探清镜子这一传统母题在绘画艺术发展和流变过程中的细微变化，并在此基础上进一步地了解人类自我意识觉醒的发展脉络以及镜子这一传统母题在现代绘画中的延续与发展。本文以各个历史时期具有代表性的油画作品中的“现实具象”、“神秘幻象”、“不同视角的转换”等艺术问题为起点，，试着提出若干理念以诠释镜子在油画中存在的特殊意义，如：宗教特殊含义、“镜子”图像的视觉趣味性、目的性再现“非视域空间”、“道德之镜”、“不在场的镜子”等等，以上内容是本文的核心观念。本文希冀提出一个这样的观点：镜子不仅是一种具有实用性功能的照容器物，它还具有特殊的审美价值与符号象征意义。“镜子”图像作为绘画中一个特殊的审美对象，它所持有的文化内涵与审美价值远远地超出了镜子本身的存在意义。
[Abstract]:The "mirror image" with its strong vitality in the field of art penetration, and the further development of one of the earliest traditional topics in the field of painting, showing a colorful situation. In the field of painting not only formed with ethics as the main function of the morality of the mirror, also formed to express emotion mainly the place of a mirror. But these are not the mirror and the art of painting with the most exciting point, so we need the mode of presentation on the "mirror" image in painting, symbolic meaning and aesthetic taste for better understanding. In this paper, from two aspects of time and space on the painting in the "mirror" image overall, systematic exploration, subtle changes in the art of painting in the process of development and evolution of Qing Dynasty mirror the traditional motif, and on the basis of further understanding of human self consciousness development The continuation and development of the traditional motif of the mirror and the mirror in modern painting.
In this paper, the various historical periods of the representative works of the "realistic figurative", "mysterious illusion" and "different perspective" art as the starting point, try to put forward some ideas on the interpretation of special significance, the mirror is in the oil painting such as religious meaning, the "mirror" image the purpose of interest, the reproduction of "non vision space", "moral mirror", "absence of mirror" and so on, the above content is the core concept of this paper. This paper puts forward a hope that the mirror is not only a practical function as the container, it also has a special aesthetic value and the symbolic meaning of "mirror image". As a special aesthetic object in painting, it holds the cultural connotation and aesthetic value far beyond the meaning of the mirror itself.

【学位授予单位】：青岛科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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