德国新表现主义绘画对我个人创作的影响

发布时间：2018-02-12 16:00

本文关键词： 传承变革表现融合　出处：《沈阳师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：本文首先谈论了德国新表现主义绘画兴起的历史背景,德国遭到了纳粹的统治和战争的无情洗礼,所以在新表现主义里,有着对于传统的延续、战争的创伤、殖民文化的影响、战后的反思等等诸多方面的背景与因素。其次是研究了德国新表现主义的代表性人物,这些艺术家所处的历史背景反应到绘画的表现手法与题材上,对个人创作有了一定的启发。最后,对于把这种多元化的表现手法融入到个人创作当中,做出了尝试性的探讨。易晓浪,在《美术大观》一书中提出观点,架上绘画逐渐走向边缘化,同时在美国文化一边独大的复杂的背景下有着如此顽强的生命力和独立性也说明了其文化根源的丰富和强大。长期研究德国表现主义绘画的刘玉民,他译述了《20世纪德国艺术》保尔·福格特的著作。他希望德国表现主义能在中国生根发芽,从而影响新一代的中国表现绘画。中间部分通过对具有代表性艺术家作品的研究,同时考虑到当时所处的时代背景与周围环境等因素,对一位大师进行理念到作品的全面解读。探究德国新表现主义绘画在艺术中的表现形式,融合本土文化资源,以及在个人创作与实践方面所带来的影响,是本文的立意所在。结论,德国新表现主义有着德国的历史背景与西方文化,但其表现手法、材料、题材都有可借鉴和学习之处。那么作为中国表现绘画的创作,就要结合本土文化来进行,例如融合道家的阴阳。绘画的生命力是否持久,并不是它的源泉在哪里,以那种形式表现出来,而是它是否具有独立的精神。
[Abstract]:This paper first talks about the historical background of the rise of German neo-expressionism painting, Germany was subjected to Nazi rule and the ruthless baptism of war, so in neo-expressionism, there is a continuation of tradition, the trauma of war, the influence of colonial culture. The background and factors of postwar introspection and so on. Secondly, it studies the representative figures of German neo-expressionism. The historical background of these artists reflects on the techniques and subjects of painting. It has a certain inspiration for personal creation. Finally, it makes a tentative discussion on the integration of this diversified expression technique into personal creation. Yi Xiaolang puts forward his views in "the Great View of Fine Arts". The gradual marginalization of frame painting and its strong vitality and independence on the one side of American culture also show the richness and strength of its cultural roots. Liu Yumin, who has long studied German expressionist painting, He translated the book "German Art of 20th century" by Paul Foggett. He hoped that German expressionism would take root in China and thus influence a new generation of Chinese performance painting. At the same time, taking into account the background of the times and the surrounding environment and other factors, a master of the concept to the works of a comprehensive interpretation of the German new expressionist painting in the form of art, fusion of local cultural resources, Conclusion: German neo-expressionism has the historical background of Germany and western culture, but its expression technique, material, etc. All subjects can be used for reference and learn from. So, as the creation of Chinese performance painting, we should combine the local culture, such as merging the yin and yang of Taoism. Whether the vitality of painting is lasting is not the source of it. In that form, it is whether it has an independent spirit.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J204

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