从写生到创作—《西行》油画系列写生感受

发布时间：2018-02-12 21:53

本文关键词： 绘画写生现场感对景创作　出处：《新疆师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：绘画作为一门重要的艺术形式,在它一开始出现的时候就存在于人们的日常生活中,与我们的生活息息相关,密不可分。绘画的进步和发展侧面反映了人们以及社会生活文明的发展,也间接体现了人们内心的世界和对于世界的一些看法。在当代,绘画已经渐渐成为人们的精神消费物品。随着的绘画作品进入了画廊、美术馆、展览馆,各式各样的绘画作品影响着人们的视角,这些不同样式绘画作品的到来,给绘画主体的创作提出了新的问题和挑战。在多媒体、各种影像图示渐渐成为视觉主体的今天,原本相对严肃的艺术创作变得简易、快餐化。传统意义上的由立意到构思,再到写生的创作也似乎渐渐被人们遗忘或冷视。笔者认为:绘画创作是一件严肃的事情,断然是主客观因素的综合产物,但肯定不是随意的主观臆想,也不是某种小情绪的发泄。绘画从古至今的演变,理所承当更多的大情怀。作为传统意义上的绘画创作一个重要手段就是写生。关于写生的理论,在不同的历史时期都有中外大师在阐述各种观点和态度。写生,在绘画学习的过程中率先进入学习的范围,以至于觉得平淡无奇,只是基础部分的训练。而对于创作主体来说,没有比写生更容易更直观获得一种真诚的表达方式了,写生也更具备绘画的快感。而快感来自临场写生过程中综合因素的现场感,现场感也是具有激情的,这或许也是绘画本身存在的魅力。本文主要以写生为途径,通过对风景,人物,静物等诸多题材的写生,提高对于造型观念的认识,技术方法的磨炼。通过写生过程中体会在综合因素下对于观看方式和表现方式的恰当理解,从对景写生延伸到对景创作,进而以对景创作为主要手段,对写生与创作、从写生到创作及创作本身的做一个大概的梳理。写生作业在最终完成的面貌上,能够在面对自然物象写生的同时,力求完成对景创作的要求,体现出作业的绘画性。在以后的学习生活中能都正确看待在坚持写生的同时所带来的对于绘画和生活方面的积极态度。
[Abstract]:As an important art form, painting exists in people's daily life at the beginning of its appearance and is closely related to our life. The progress and development of painting reflect the development of people and the civilization of social life, and indirectly reflect people's inner world and some views of the world. Painting has gradually become a consumption of people's minds. As paintings enter galleries, galleries, galleries, galleries, and all kinds of paintings, they affect the perspective of people, and the arrival of these paintings of different styles. This has posed new problems and challenges to the creation of painting subjects. Today, when multimedia, various images and diagrams have gradually become visual subjects, the original relatively serious artistic creation has become simple and fast food. In the traditional sense, it has changed from conception to conception. The author thinks that painting is a serious matter, a combination of subjective and objective factors, but certainly not arbitrary subjective imagination. Nor is it an outlet of some small emotion. The evolution of painting from ancient to present, the reason should bear more big feelings. As an important means of painting creation in the traditional sense, it is sketching. The theory of sketching, In different historical periods, there are Chinese and foreign masters who have expounded various viewpoints and attitudes. Sketching is the first to enter the scope of study in the process of learning painting, so that it is so dull that it is only a basic part of the training. But for the creative subject, There is no way to get a sincere expression more easily and intuitively than sketching. Sketching also has the pleasure of painting. The pleasure comes from the scene feeling of the comprehensive factors in the process of scene painting, and the scene feeling is also passionate. This may also be the charm of painting itself. This paper mainly takes sketching as a way to improve the understanding of the concept of modeling through the sketching of scenery, characters, still life and many other subjects. Through the experience of the appropriate understanding of the viewing mode and the way of expression in the process of sketching, from the sketch of the opposite scene to the creation of the opposite scene, and then taking the creation of the opposite scene as the main means, to the sketch and creation, From sketch to creation and creation itself to do a general combing. In the face of the final completion of the sketch work, in the face of the painting of natural objects at the same time, strive to complete the requirements for landscape creation, It reflects the painting of homework. In the future, we can all correctly look at the positive attitude towards painting and life brought by sticking to sketches at the same time.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J204

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