明月清风—陈洪绶仕女画研究

发布时间：2018-02-14 20:04

本文关键词： 仕女画老莲怪诞羸弱娇媚　出处：《湖南师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：陈洪绶是明末清初较为重要的文人艺术家,他诗书画印样样精通,绘画中山水、花鸟、人物都有涉及,尤善人物画,其人物画成就是明清时期继唐朝张萱周f 等人之后的又一个高峰期。在仕女画上,老莲推陈出新,继唐之韵,运宋之格,元之野,再有自我独到的美学观念和多舛命运的丰富经历影响其对绘画观念的逐步变化,其笔下“怪诞”的形象实不为怪诞。又老莲所在时期和主要活动地区“心学”流传,老莲受心学影响,不仅在绘画上有时达到无法的高境界,在生活上也是放浪形骸,狎妓出游,出入风月之地,流连忘返,诗画人生,好不快活,但这些看似风光的表面实际上是麻痹愁苦的内心中失意的仕途以及国亡后却苟活于世的愧疚之情。老莲在老年时期尤喜画仕女画,这与他长期与女子相处有关,其仕女画中羸弱的女性状态是明清男子审美观念下的典型形象。老莲人物画画外是激情、怪诞、自我沉醉的,画内却是冷静且又理性的,是“奇怪却近理,迂拙而生动”的审美格调,他的艺术作品将中国绘画史中存之久远的“怪诞之美”发挥到更高的一个层面。老莲绘画作品对后世产生了重大影响,对当下艺术青年亦是一枚明镜,研究老莲的仕女画作品具有重要意义。
[Abstract]:Chen Hongshou is a more important literati artist in the late Ming and early Qing dynasties. He is proficient in the printing of all kinds of poems, books, and paintings. He is involved in landscapes, flowers and birds, and people, especially in figure painting. His figure painting achievements were another peak period in the Ming and Qing dynasties after Zhang Xuan Zhou f and others in the Tang Dynasty. In the painting of ladies and women, Lao Lian brought forth the old and new, followed by Tang Zhiyun, Song Zhige, Yuan Zhiye, etc. Moreover, the unique aesthetic concept of oneself and the rich experience of ill-fated destiny affect his gradual changes to the concept of painting, and the image of "grotesque" in his works is not really strange, and Lao Lian's period and main area of activity, "the study of mind", have spread. Influenced by psychology, Lao Lian not only reached an impossible high level in painting, but also in life was a prostitute, a prostitute to go out, to go out in the wind and moon, to wander away, to paint poetry and life, to be happy. But these seemingly beautiful facades are actually the dismal career in his sad heart and the guilt of living in the world after the death of the country. Lao Lian is particularly fond of painting paintings of ladies in her old age, which is related to his long relationship with women. The weak female state in his painting is a typical image under the aesthetic concept of men in Ming and Qing dynasties. The painting of Laolian figure is passionate, grotesque and self-intoxicated, but it is calm and rational in the painting, which is "strange but close to reason." His works of art bring into play the "grotesque beauty", which has existed for a long time in the history of Chinese painting, to a higher level. Lao Lian's paintings have had a great impact on later generations. It is also a mirror for contemporary art youth, so it is of great significance to study Laolian's paintings.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

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