浅谈安格尔的绘画风格与特点

发布时间：2018-02-16 21:56

本文关键词： 安格尔形式美现代艺术理性思维　出处：《辽宁师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：新古典主义大师安格尔的绘画中充满了理性思维的色彩。他不知疲倦地力求掌握色彩，这是一种可贵的，，但又却是徒劳的顽强精神。他的思想思维的形成被当时的人们所接受有着很深的时代需要和个人追求的因素。这种思维使得后期印象主义、现代主义等绘画产生很大的启发作用。安格尔生活在一个政权交替频繁、社会动乱的年代里，而安格尔是一个即保守又喜欢宁静优美事物的人。然而就在时代期待的视野中，人们开始进入一个相对理性反思时期，人们的思想也逐渐接近于宁静、平和。人们不再需要疯狂的革命、勇于献身的英雄主义。从而进入一种宁静典雅的古典唯美的审美时代。这也是安格尔艺术被贵族和资产阶级所接受和极力维护的政治和思想上的土壤。当然，除了外界因素之外安格尔的艺术风格主义还来自其自身因素。1780年8月29日安格尔出生在法国蒙托邦一个艺术氛围浓厚的家庭，父亲约瑟夫是一个装饰雕刻师，有着蒙托邦美术学院院士的头衔，并通晓音乐和建筑，母亲是皇宫假发师的女儿。父亲从小就对安格尔给予厚望，并有意培养安格尔的绘画和音乐上的兴趣，让他临摹拉斐尔、提香、鲁本斯、华托等作品。安格尔对这些作品很感兴趣，这可能就是安格尔走上绘画之路，然而他崇尚古典艺术，所以在他的个人求学过程中，主要研究古典绘画，安格尔在法国的几个美术学院主要接受古典主义绘画。追随古代大师的脚步，崇尚他们理性和完美的艺术理念，安格尔在达维特那里培养对古希腊艺术的感情，增加了对研究活生生的模特感兴趣，还研究意大利艺术大师的作品，特别是拉斐尔的作品。他在达维特的画室中多次获得奖学金，除此之外，达维特十分喜欢这个勤奋好学的学生，所以达维特慷慨地把自己的画技尽数传授给安格尔，还为他爱徒画了一张肖像，从画中可以看出安格尔有着固执、敏感的性格，这种性格使得安格尔成为一个保守古典传统的守护者。安格尔以古典大师作品为范本，选取相应古代题材，仔细查阅历史档案，重现历史场景，对画面中人物进行仔细分析。他对色彩大胆概括提炼，使得安格尔忽略了古典主义对光影的强调，从而形成了一种色彩单纯的画面效果。启示了现代主义对色彩的认识，为绘画走向自由色彩、主观色彩、理性色彩开启了新的道理。安格尔的绘画减弱了光影和黑白的变化，突出了色彩的装饰地位。脱离与文学、宗教、神话故事、历史事件、政治事件等联系，强调绘画的独立性。突出强调绘画语言形式的地位，形式大于内容，这些都对以后的现代艺术产生了深远影响。
[Abstract]:The painting of Neo-classicist master Angel was full of the color of rational thinking. He tried tirelessly to master the color, which was valuable. But it was a futile tenacious spirit. The formation of his thought was accepted by people at that time and had a deep need of the times and a factor of personal pursuit. This thought made the late impressionism, Modernism and other paintings have great enlightening effect. Angel lives in an age of frequent political change and social unrest, and Angel is a conservative and a quiet and beautiful person. However, in the vision of the times, people begin to enter a period of relative rational reflection. People's minds are getting closer to serenity and peace. People no longer need crazy revolutions, The heroism that dares to devote oneself thus enters a kind of quiet and elegant classical aesthetic era. This is also the political and ideological soil that Angel's art is accepted and maintained by the aristocrats and the bourgeoisie. Of course, in addition to external factors, Angel's artistic stylism also comes from his own. In August 29th 1780, Angel was born into a family with a strong artistic atmosphere in Montopia, France, and his father, Joseph, was a decorator and sculptor. With the title of academician at the Montopian Academy of Fine Arts and a good knowledge of music and architecture, his mother was the daughter of a palace wig. His father had high hopes for Angel from an early age, and was interested in cultivating Angel's interest in painting and music to copy Raphael. Titian, Rubens, Juato, and so on. Angel is very interested in these works. This may be the way Anger went to painting. However, he advocates classical art, so in his personal study, he mainly studied classical painting. Angel's art schools in France mainly accepted classicist painting. Following the footsteps of ancient masters and advocating their rational and perfect artistic ideas, Angel developed feelings for ancient Greek art in Dawit's place. Increased interest in studying living models, as well as the work of Italian masters of art, especially Raphael, who has won many scholarships in Dawit's studio, Dawit loved the studious student so much that Dawit generously passed on his painting skills to Angel, and drew a portrait of his lover, from which he could see Anger's stubborn and sensitive character. This character makes Angel a guardian of a conservative classical tradition. Angle took the classical master's works as a model, selected the corresponding ancient themes, carefully checked the historical archives, recreated historical scenes, and carefully analyzed the characters in the picture. He abstracted the color boldly. It makes Angel ignore the emphasis of classicism on light and shadow, thus forming a simple picture effect of color. It enlightens modernism's understanding of color and opens up a new principle for painting to move towards free color, subjective color and rational color. Angel's paintings weakened the changes in light, shadow and black and white, and highlighted the decorative status of color. Separated from literature, religion, mythology, historical events, political events, etc. Emphasizing the independence of painting and emphasizing the position of the form of painting language, the form is greater than the content, all of which have a profound influence on the later modern art.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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