中国画散点透视法与塞尚的多点透视法

发布时间：2018-02-20 15:28

本文关键词： 散点透视塞尚对景写生画中圣维克多山《历代名画记》焦点透视性视觉以大观小外师造化 　出处：《艺术工作》2017年01期 　论文类型：期刊论文

【摘要】：正运用移动视点,打破一个视域的界限,采取漫视的方法和多视域的组合,将景物自然的、有机的组织到一个画面里,这是中国画的散点透视。故点透视的运用可以使画家将有连续、迁移性的景物,按主观愿望将心中的山水组合在一个画面中,成为一种意境。在这里画家可以不分时间、光线、位置、甚至季节。在画中营造出一种可居可游境界。那么塞尚所运用的多点透视法与中国画表达的意图是一样的吗?这是我要在本文中作如下阐述的。
[Abstract]:Using moving view points, breaking the boundaries of a field of view, adopting the method of diffuse view and a combination of multiple horizons, organically organizing the scene into a picture. This is the scattered perspective of Chinese painting. Therefore, the use of point perspective can enable the painter to have continuous, mobile scenery, and combine the landscape in his heart into a picture according to his subjective wishes, and become a kind of artistic conception. In this case, the painter can make no distinction between time and light. Position, even season. Create a habitable realm in the painting. So is Cezanne's multi-point perspective the same as the intention expressed in Chinese painting? This is what I would like to explain in this article as follows.
【分类号】：J205

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