木版套色创作中精神性指向探究
发布时间:2018-02-26 18:10
本文关键词: 精神指向 视觉符号 套色木刻 版画风格 出处:《鲁迅美术学院》2017年硕士论文 论文类型:学位论文
【摘要】:精神指向是指创作主体运用艺术思维表达内心情感的方向。版画家应加强主体精神架构的搭建和自身思维深度以及对生活体悟的关注。同时版画家的精神指向亦不能脱离技术和实践的相结合,如果套色木刻版画的创作与其应有的技术和实践相互脱离,单一的抽象思维就仅仅变成了不值一提的思维躯壳。版画的间接性是艺术创作中非常重要的一个环节,这是不可争辩的事实。版画家无论从制版还是到印制的每一个环节都应该去亲力亲为。在创作中通过对视觉符号、题材以及媒介的运用如何自然的与精神指向相结合,形成自身特有的精神指向并在内容与形式上达到高度统一是版画创作的重要所在。本文分为三个大部分:第一部分概述了在版画艺术的创作中其精神内涵的重要性,艺术家应将自身的精神与实践相结合从而达到一个全新的高度。第二部分论述了在创作中视觉符号和题材选取的重要意义与他们和精神指向的相互关联不可分离。第三部分描述了在创作过程中自身的实践体会从对精神性指向的解读、色彩的运用、对材料的尝试经验以及印刷过程中细小环节的体悟。
[Abstract]:Spiritual direction refers to the direction in which the creative subject uses artistic thinking to express his inner feelings. The printmaker should strengthen the construction of the subject's spiritual structure and the depth of his own thinking, as well as his concern for the understanding of life. At the same time, the spiritual direction of the printmaker should also be strengthened. Cannot be divorced from the combination of technology and practice, If the creation of woodcut engraving with color is separated from its due technology and practice, the single abstract thinking will only become a mindless body of thinking. The indirectness of printmaking is a very important link in artistic creation. This is an indisputable fact. A printmaker should do everything from plate making to printing. How naturally and spiritually to combine visual symbols, subject matter and the use of media in his creation, It is important to form its own unique spiritual direction and achieve a high degree of unity in content and form. This paper is divided into three parts: the first part outlines the importance of its spiritual connotation in the creation of printmaking art. Artists should combine their own spirit with practice in order to reach a new height. The second part discusses the importance of visual symbol and theme selection in creation and the interrelation between them and spiritual direction. The third part describes the interpretation of spiritual orientation in the process of creation. The use of color, the trial experience of the material and the understanding of the small links in the printing process.
【学位授予单位】:鲁迅美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J217
【参考文献】
相关期刊论文 前1条
1 李旭;;关于“画画”的言说——简述谭平的抽象艺术[J];美术观察;2015年09期
,本文编号:1539070
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1539070.html