陶冷月研究

发布时间：2018-02-26 18:38

  本文关键词： 陶冷月 化古为新 中西融合 新中国画 教学改革　出处：《天津大学》2016年博士论文　论文类型：学位论文

【摘要】：二十世纪前半叶是中国美术史上一个重要的历史时期。随着西方绘画的不断涌入,中国画在不断的蜕变和革新中艰难前行。由文人画为主体的一元绘画逐渐向新旧消长、中西杂糅的多元化方向发展,在相对开放的文化环境中获得了更为自由的生长空间,充分显示了画家创作思维的灵活性及绘画风格的选择性。这一时期对中国传统绘画进行改良、革新的拓荒者除黄宾虹、徐悲鸿、林风眠等大师以外,其他大部分均由于诸因素的影响而被长期湮灭,陶冷月便是其中之一。他作为中西绘画融合初期“创新型画家原型”的代表,以上世纪五十年代为界,先后经历了两种截然不同的艺术人生。本文以陶冷月绘画立足的文化视点和表现形式为中心,以个案研究的形式对其进行重新解读,以便透过这一典型例证更好的了解这一时期的艺术现象。笔者通过前期调研,在掌握大量一手资料的基础上,对陶冷月的人生轨迹及艺术发展阶段进行具体的分期细化,以进一步明确各个时期、各个阶段不同的人生经历和艺术历程。结合特定的社会背景和文化环境,对其绘画理念的形成进行分析,进而在充分理解和把握的基础上对其主张做出全面阐释。将陶冷月艺术表现的范围、题材进行拓展,竭力从时间、空间等多个方面对其艺术类型、造型语言、艺术活动等展开全方位的论述。尤其针对他所涉足的“新中国画”领域,笔者将积极转变思路,利用与国内及日本相关画家绘画思想、技法风格等因素的对比,积极探寻他们之间的碰撞与交汇,从而形成新的观点和论证体系。对于目前研究中尚未触及或触及较少的写生手稿和摄影艺术,笔者将从其各自的艺术特点出发,通过写生、摄影、创作三者间关系的建构来予以把握。此外,结合陶冷月受教育的特殊背景及蔡元培美育思想等因素的影响,对其教育理念及教学实践进行剖析,以便为当代美术教育提供必要的借鉴和启示。通过整体把握和全面分析,以理性的视角对陶冷月做出公正客观的评价。对其有生命力的积极因素予以充分肯定,对其过时的、僵死的因素进行重新审视和反思,以便为后人借鉴和创新提供正确的方向和着力点,并不断为评估自身未来的价值提供新的参照和坐标。本文通过对陶冷月个案的深入研究,对他所处的艺术生态环境进行如实的再现和还原,对其个体发展轨迹及群体发展脉络进行重新梳理。透过外在的表现和特征对其内在的、深层的因素进行触摸,以便更好的予以理解和消化,从而为民国美术史的完善提供必要的补充。不断在传统中探索,在借鉴中发现,在理性思维的指导下从新的高度、新的视域对其进行多维度、开创性的研究。与此同时,也能为当代广大学者的绘画学习提供一定的参考价值和借鉴价值。
[Abstract]:The first half of 20th century was an important historical period in the history of Chinese art. With the continuous influx of Western painting, Chinese painting was moving forward in constant transformation and innovation. The monistic painting with literati painting as the main body gradually increased and waned to the old and the new. The mixture of China and the West in the direction of diversification, in a relatively open cultural environment, has gained a more free space for growth, It fully shows the flexibility of the painter's creative thinking and the selectivity of the painting style. In this period, the Chinese traditional painting was improved. The innovating pioneers, except Huang Binhong, Xu Beihong, Lin Fengmian and other masters, Tao Lengyue was one of the other people who were annihilated for a long time because of the influence of various factors. As a representative of the "innovative painters' prototype" in the early stage of the integration of Chinese and Western paintings, the last century, 50s, was the boundary. This paper focuses on the cultural point of view and the form of expression of Tao Lengyue's painting, and reinterprets it in the form of case study. In order to better understand the artistic phenomenon of this period through this typical example, the author, through previous research, on the basis of mastering a great deal of first-hand data, makes a specific stage refinement of Tao Lengyue's life track and the stage of art development. In order to further clarify the different life experience and artistic course of each period, each stage, combined with the specific social background and cultural environment, the formation of its painting idea is analyzed. Then on the basis of full understanding and grasp of its ideas to make a comprehensive interpretation. The scope of artistic expression of Tao Lengyue, subject matter to expand, from time, space and other aspects of its art types, modeling language, Especially in the field of "New Chinese painting", the author will actively change his thinking and make use of the comparison of painting ideas, techniques and styles with domestic and Japanese painters. Actively explore the collision and intersection between them, so as to form a new viewpoint and argumentation system. For the few manuscripts and photography that have not been touched or touched in the present research, the author will proceed from their respective artistic characteristics through sketching. In addition, combining with the special background of Tao Lengyue's education and the influence of Cai Yuanpei's aesthetic education thought, the author analyzes his educational idea and teaching practice. In order to provide the necessary reference and inspiration for contemporary art education. Through the overall grasp and comprehensive analysis, to make a fair and objective evaluation of Tao Lengyue from a rational perspective. In order to provide the correct direction and focus for future generations to learn from and innovate, and to provide new reference and coordinate for evaluating their future value, this paper makes a thorough study of Tao Lengyue's case. The artistic ecological environment in which he lived was truthfully reproduced and restored, and its individual development track and group development vein were rearranged. Through the external performance and characteristics, the inner and deep factors were touched. In order to better understand and digest, so as to provide the necessary supplement for the perfection of the history of fine arts of the Republic of China. We constantly explore in the tradition, find in the reference, under the guidance of the rational thinking, carry on the multi-dimension to it from the new height and the new horizon under the guidance of the rational thinking. At the same time, it can provide some reference value and reference value for contemporary scholars.
【学位授予单位】：天津大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J212
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本文编号：1539203