论毕业创作在关于内容思想上的立场切入点

发布时间：2018-02-28 23:19

本文关键词： 立场美术史杜尚非现实连接切入点外星人假设态度　出处：《中央美术学院》2014年硕士论文　论文类型：学位论文

【摘要】：在画毕业创作的前夕，我想仔细整理我的创作思路，在作品成型之前，先确立我对自己作品的立场和态度，有一个核心的思考方向，对作品内容上有一个充足的铺垫。这样我想会使作品呈现的复杂而饱满，可探讨的空间增大，比起以前的作品能够更进一步。在确立了核心思想之后，在形式上的斟酌与探索也会顺利一些从而顺理成章。在读研究生期间，自己思考了很多，不再像本科时期对技术上的反复研习，，渐渐意识到立场对于作品的重要性，一幅作品有立场才会有态度，创作思路才会清晰。如果缺少一个明确的立场，作品在内容上会有一些缺失，也无法找到合适的切入点，所以，我的论文将结合部分艺术史与艺术理论去讨论立场的发展以及意义。艺术史是一个庞杂的大学科，在论文中我只能粗略的描述与讨论，主要是以古典主义时期、现代主义时期、后现代主义时期作为主体，并且挑选对论文有帮助的部分去论述。艺术理论方面主要是结合杜尚作品的理论依据，因为杜尚是开启后现代艺术的大师，是他首先把观念的立场带入到作品中，而且我自身也受其影响很大，他的方法论也是我作品的灵感之源。在对这两部分论述结束之后，再结合上述内容论述我自己的毕业创作内容上的立场的切入点得出结论来结束论文。其实，立场是一个概念，是人创造出来的概念，在作品中我想选择一个特殊的切入点，把立场假设化虚拟化，想找一个不属于人的立场，从而使立场跳出个人或者某个群体，让立场自己说话，某种程度上使作品的立场远离自己，换句话说，作品是一个舞台，让立场自己去跳舞。也许这是一个悖论，但是我想尝试去探索，看看是否能让作品不那么苍白而无力。
[Abstract]:On the eve of graduation, I would like to carefully sort out my creative thinking. Before the work is formed, I will first establish my position and attitude towards my own work, and have a core direction of thinking. There is a good foundation for the content of the work. In this way, I think it will make the work appear complex and full, and the space for discussion will increase, which can be further than the previous work. Formal deliberation and exploration will also go smoothly. During graduate school years, I thought a lot, and no longer realized the importance of the position to the work, like the repeated study of technology during my undergraduate years. If a piece of work has a stand, it will have an attitude, and the creative thinking will be clear. If there is no clear stand, the work will have some deficiencies in the content and it will not be able to find a suitable entry point, so, My paper will combine some art history and art theory to discuss the development and significance of the position. Art history is a huge and complicated subject, in which I can only roughly describe and discuss, mainly in the classical period, the modernist period. The postmodernism period is the main body, and the part that is helpful to the thesis is discussed. The artistic theory is mainly based on the theoretical basis of Duchamp's works, because Duchamp is the master of the post-modern art. It was he who first brought the position of the idea into the work, and I myself was greatly influenced by it, and his methodology was also the source of inspiration for my work. In fact, the standpoint is a concept created by human beings. In my works, I would like to choose a special entry point. Hypothesizing a position, looking for a position that doesn't belong to people, so that the position is out of the way of the individual or a group of people, so that the stand can speak for itself, and to some extent keep the position of the work away from itself, in other words, the work is a stage. Let the stand dance on its own. Maybe it's a paradox, but I want to try to explore whether it can make the work less pale and powerless.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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