山水意境—管窥陈洪绶的山水景观

发布时间：2018-03-01 03:06

本文关键词： 创作意境点景传统创新自然审美　出处：《曲阜师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：陈洪绶作为明末的一位风格特异、才华绝代的杰出怪才，是鲜有的全能画家。明清时中国文人画家绘画表现领域、表现内容一般较窄，题材往往比较单一，而陈洪绶作为伟大的天才画家，他在花鸟、山水、人物、诗文书法等这几方面都取得了较高的成就。陈洪绶的绘画风格最突出特征即是：古。陈洪绶所追求的境界和他为人们所欣赏的，也就是他作品中的古意。在陈洪绶“古”的境界中，一切表现内容与题材，包括他所追求的艺术精神、艺术理想都包含在内了。陈洪绶的山水画具有鲜明的个性，面貌也非常独特，他力图从古画中汲取传统的精神，同时融入自己的艺术意趣而去开创新的道路。他对于山水画传统的继承和创新，以及其对山水画的独特理解和“力主有我”的创作思想，都对后世的画家产生了深远的影响，从美术史的角度来说，陈洪绶的山水画也有着极为重要的地位。在我国历史上明末清初时期发生了政治上文化上以及思想上的重大变革，而这一时期是山水画占主流的时期，山水画派别各有千秋。明代四大家、吴派四大家都是画山水的，而陈洪绶则是明代山水画的奇才，陈洪绶年少时便师从武林派蓝瑛学画山水。由于陈洪绶所处时期的特殊性，对于他的艺术成就我们可以从多个角度来研究。本文尤为重视陈老莲所处的社会生活背景，政治背景和文化背景对他的创作思想的影响，，以及对他山水画创作的意境意象表现的影响。故本文以当时的政治背景为开端，深入全面地介绍陈老莲的山水画艺术。之前研究陈洪绶作品的学者多着重其人物画艺术，陈洪绶处于山水画发展的主流时期，探究他的山水画艺术独特面貌形成背后的深层原因是非常有意义的。本文对陈洪绶的创作状态，创作手法，意境营造等方面都进行了深入分析研究。解析了他的山水画表现形式与他之前的价值取向，哲学思想之间的关系。并进一步总结说明了陈洪绶的山水画创作理想与中国哲学的联系。阐述了研究陈老莲的山水画艺术所得到的启示，并且以传统的分析论述方式解读陈洪绶山水画的空间构成形式。指明了陈老莲的地位的山水画艺术在美术史上及其艺术思想的价值。
[Abstract]:Chen Hongshou, as an outstanding geek of unique style and extraordinary talent in the late Ming and Qing dynasties, was a rare universal painter. In the Ming and Qing dynasties, the performance of Chinese literati painters in the field of painting was generally narrower, and the subject matter was often relatively single. And Chen Hongshou, as a great genius painter, he works in flowers and birds, mountains and rivers, people, The most outstanding features of Chen Hongshou's painting style are: ancient, Chen Hongshou pursued the realm and he was appreciated by people. That is, the ancient meaning of his works. In the realm of Chen Hongshou's "Ancient", all the performance contents and subjects, including the artistic spirit and artistic ideal pursued by him, are included. Chen Hongshou's landscape painting has a distinct personality. He tried to draw the traditional spirit from the ancient painting, and at the same time, he integrated his artistic interest to create a new way. His inheritance and innovation of the landscape painting tradition, His unique understanding of landscape painting and his creative thought of "strong advocate have me" have had a profound impact on the painters of later generations. From the angle of art history, Chen Hongshou's landscape painting also plays an extremely important role. In the late Ming and early Qing dynasties in our history, the political and cultural as well as ideological changes took place, and this period was a period in which landscape painting occupied the mainstream. Landscape painting schools have their own strengths. In the Ming Dynasty, the four major schools of the Wu school were all painting landscapes, while Chen Hongshou was a genius in landscape painting in the Ming Dynasty. When Chen Hongshou was young, Chen Hongshou was taught by the Wulin School, Lan Ying, to learn how to draw landscapes. Because of the particularity of the period in which Chen Hongshou lived, We can study his artistic achievements from many angles. This paper pays particular attention to the influence of Chen Lao-lian 's social life, political background and cultural background on his creative thoughts. And the influence on the expression of artistic conception image in his landscape painting creation. Therefore, this article begins with the political background at that time, and introduces Chen Lao Lian's landscape painting art thoroughly and roundly. Previous scholars who studied Chen Hongshou's works focused more on his figure painting art. Chen Hongshou is in the mainstream period of landscape painting development. It is very meaningful to explore the deep reasons behind the formation of his unique landscape painting art. The artistic conception construction and other aspects are deeply analyzed and studied. The expression form of his landscape painting and his previous value orientation are analyzed. The relationship between philosophy and thought, and further summarizes the relationship between Chen Hongshou's landscape painting creation ideal and Chinese philosophy, and expounds the enlightenment of studying Chen Lao Lian's landscape painting art. And with the traditional analysis of the form of interpretation of Chen Hongshou landscape painting space, pointing out Chen Lao Lian's status of landscape painting art in art history and the value of artistic thought.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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