论中国当代意象风景油画的生长环境及审美取向

发布时间：2018-03-02 05:16

本文关键词： 意象风景油画审美取向本土化民族化　出处：《重庆师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：中国当代意象风景油画艺术一直存在于中国油画百年的发展进程中,鲜明的地域文化特征及艺术形式,使这种新兴的艺术再度被世人所关注。本文第一部分主要阐述该课题的立论依据及其他,并探讨中国当代意象风景油画的概念设定及核心内涵,进而着重梳理出中西方艺术文化思想对中国当代意象风景油画的影响。第二部分围绕中国当代意象风景油画审美取向三方面进行探讨,及其衍生出的审美哲学,并深层次分析中国意象风景油画中各元素艺术语言形式的表达方式,这对于我们理解中国当代意象风景油画的文化内容是至关重要的。第三部分重点通过对中国百年油画史中的代表画作分析解读,结合“本土化”与“民族化”的地域文化特征,阐释作家们在进行创作时的文化背景和内心世界,进而展望中国当代意象风景油画未来发展趋势的无线可能性。随着“全球化”的节奏愈演愈烈,把传统的风格精神标准融入到当代中国当代艺术中是民族身份及现代精神的诉求,同时也是新兴艺术形式生存发展下去的必经之路,这也决定了作为这样一个特殊艺术形式的存在必须依托以西方的传统绘画材料为媒介,传达东方传统文化意识形态,这是它的特质,是中西艺术二者间密切联系发展的关键点,同时也为中国油画的“民族化”、“本土化”进程提供了广阔的前景。
[Abstract]:Chinese contemporary imagery landscape painting art has always existed in the century-old development of Chinese oil painting, with distinct regional cultural characteristics and artistic forms. The first part of this paper mainly expounds the theoretical basis and other aspects of this subject, and probes into the concept and core connotation of Chinese contemporary imagery landscape oil painting. The second part discusses the aesthetic orientation of Chinese contemporary imagery landscape painting and its derived aesthetic philosophy. And deeply analyze the expression of artistic language form of each element in Chinese image landscape oil painting, This is very important for us to understand the cultural content of Chinese contemporary imagery landscape oil painting. The third part focuses on the analysis and interpretation of representative paintings in the history of Chinese oil painting over a hundred years, combining the regional cultural characteristics of "localization" and "nationalization". Explain the writer's cultural background and inner world when they create, and then look forward to the wireless possibility of the future development trend of Chinese contemporary image-landscape oil painting. It is the demand of national identity and modern spirit to integrate the traditional style spirit standard into contemporary Chinese contemporary art, and it is also the only way for the new art form to survive and develop. This also determines that the existence of such a special form of art must rely on the traditional Western painting materials as the medium to convey the oriental traditional cultural ideology. This is its characteristic and the key point for the development of the close relationship between Chinese and Western art. At the same time, it provides a broad prospect for the nationalization and localization of Chinese oil painting.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J213

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