20世纪五六十年代傅抱石山水写生及风格研究

发布时间：2018-03-02 05:24

本文关键词： 上世纪50年代傅抱石山水写生笔墨题材技法　出处：《中国艺术研究院》2016年硕士论文　论文类型：学位论文

【摘要】：上世纪四五十年代,中国百废待兴,党中央非常重视艺术发展,产生了一批艺术巨擘,傅抱石就是其中之一。他紧紧跟随时代大潮,高举“笔墨当随时代”与“思想变了,笔墨不得不变”的大旗,强调只有深入生活,才能更好的感悟生活。他一生当中一共有四次比较重要的写生活动,这四次写生活动也是他绘画风格、技法的形成过程,这种新的风格与相应技法的延续性、独特性都是具有时代性的。也正是这种写生为主,在生活中汲取素材的创作手法,诞生了以傅抱石为首的“新金陵画派”。他作画背后的哲学依据和美学意义以“道”家为缘起。先生似乎在用他的一生证明：以意运法,中国画笔墨是能够成功地描绘日新月异的新生活、新事物,在反映现实生活中具有无限表现活力的。为中国画由传统形态向现代形态转型、发展做出了卓越贡献。“踪迹大化”与“其命维新”是时代赋予傅抱石一生的使命。
[Abstract]:In the 1940s and 1950s, the CPC Central Committee attached great importance to the development of the arts, and Fu Baoshi was one of them. He closely followed the tide of the times and held high the words "pen and ink" and "ideas changed with the times." He had to change his pen and ink, stressing that only by going deep into life could he have a better understanding of life. In his life, he had four more important sketching activities. These four sketching activities were also the formation process of his painting style and techniques. The continuity and uniqueness of this new style and corresponding techniques are all of the times. It is precisely this kind of sketching that draws material from life. "New Jinling painting School" led by Fu Baoshi was born. The philosophical basis and aesthetic meaning behind his painting originated from the "Tao" family. Chinese brushstroke can successfully depict the new life and new things, which can reflect the vitality of real life. It is the transition from traditional form to modern form in Chinese painting. Development has made outstanding contribution. "trace Dahua" and "its life reform" is the mission that Fu Baoshi was entrusted with by the times.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

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