少数民族题材水墨人物画色彩应用研究

发布时间：2018-03-04 02:07

本文选题：水墨人物画　切入点：色彩　出处：《中央民族大学》2017年硕士论文　论文类型：学位论文

【摘要】：民族特色是中国画艺术特点之一,随着中国人物画的发展,对于民族题材绘画的关注度越来越高,特别是民族院校,到少数民族地区实习写生已成为专业的必修环节。从水墨人物画的发展来看,"色彩"这一特殊的表现元素,无论是中国画改革过程中出现的"彩墨画",还是现代都市题材水墨人物画中色彩的运用,都呈现出不同的时代特色。在中国文化发展的过程中,形成了具有中国特色的色彩表现形式,其中包括原始岩画、彩陶、壁画、年画、刺绣、染织等,种类繁多,是广大劳动人民几千年来智慧的结晶;体现了中国民族色彩的丰富性、趣味性、情感表达纯粹等特点;蕴含着中国哲学、民族审美、民族情感、文化精髓,具有独特的艺术魅力。从水墨人物画的发展来看,中国民族色彩中的各种色彩表现形式成为重要的借鉴来源。如林风眠、蒲国昌、田黎明、李洋、张道兴等优秀的画家,正是从中找到了灵感,形成属于自己的色彩表现方式,实现了水墨人物画在色彩应用上的突破,继承了中国文化的精髓。现代少数民族题材水墨人物画创作,既要体现外在民族特征,又要表达民族情感和精神内涵。外在民族特征包括民族人物的形象、民族服饰、装饰纹样、色彩元素等,其中的色彩元素传达着少数民族独特的审美意识和情感。运用色彩来表现少数民族外在特征和内在情感,丰富了表现语言,增加了时代感。在创作实践中,我们发现少数民族题材水墨人物画中色彩的表现形式却是相对固定和单调的。在多元文化的时代环境中,已有的表现形式已经不能再满足我们的情感表达,探索新的色彩表现方式成为我们必须面对和解决的课题。但是在此过程中,融合运用中国民族色彩时还存在一些问题:过于追求民族特征,运用色彩元素有失妥当;或过于追求时代性,形成错误的色彩观念;色彩语言和笔墨语言的不统一;作品空洞乏味,徒有其表,没有内涵等。因此,在中国民族色彩的融合运用时,不能直接照搬或单纯描摹外在特征,应结合自己的真实感受和体验,有意识地吸收其精髓,深入探索,合理运用,这样的作品才具有时代感和民族精神内涵。笔者在少数民族题材水墨人物画的学习中,有意识的做了一些尝试。这些作品以解决色彩和笔墨关系问题为切入点,融合运用民族服饰色彩、蜡染等元素,结合生活实践和自身感受来表现创作的。中国民族色彩的无限魅力,为我创作带来了灵感,打开了新的思路。
[Abstract]:National characteristics are one of the characteristics of Chinese painting art. With the development of Chinese figure painting, the attention to ethnic painting has become more and more high, especially in ethnic colleges and universities. To practice and sketch in minority areas has become a compulsory part of the profession. From the point of view of the development of ink and wash figure painting, "color" is a special performance element. Whether it is "color ink painting" that appears in the reform process of Chinese painting, or the use of color in modern city subject ink figure painting, it presents different characteristics of the times. In the process of development of Chinese culture, Has formed the Chinese characteristic color expression form, including the primitive rock painting, the colored pottery, the mural, the New year painting, the embroidery, the dyeing and weaving and so on, various kinds, is the broad working people thousands of years wisdom crystallization; It embodies the richness, interest and pure expression of Chinese national color, and contains the essence of Chinese philosophy, national aesthetics, national emotion and culture, and has a unique artistic charm. The various forms of color expression in Chinese national colors have become an important source of reference. For example, Lin Fengmian, pu Guochang, Tian Liming, Li Yang, Zhang Daoxing and other outstanding painters have found inspiration and formed their own way of color expression. Has realized the breakthrough in the color application of the ink figure painting, inherited the essence of the Chinese culture. We should also express the national feelings and spiritual connotations. The external national characteristics include the image of national figures, national costumes, decorative patterns, color elements, etc. The color elements convey the unique aesthetic consciousness and emotion of the minority nationalities. The use of color to express the external characteristics and internal emotions of ethnic minorities enriches the expressive language and increases the sense of the times. We find that the forms of expression of color in the paintings of the minority subjects are relatively fixed and monotonous. In the multicultural environment, the existing forms of expression can no longer satisfy our emotional expression. Exploring new ways of color expression has become a subject that we must face and solve. However, in the process, there are still some problems in the process of fusion and application of Chinese national color: too much pursuit of national characteristics and improper use of color elements; Or too much pursuit of the times, the formation of a wrong color concept; the disunity of the color language and the brush and ink language; the emptiness of the work, which has its own surface and no connotation, etc. Therefore, in the application of the Chinese national color, Instead of directly copying or simply describing external characteristics, one should combine one's own true feelings and experiences, consciously absorb its essence, explore deeply and use it rationally, This kind of work has the sense of the times and the connotation of the national spirit. The author has consciously made some attempts in the study of the paintings of the minority nationalities. These works take solving the problem of the relationship between color and ink as the breakthrough point. The combination of national dress color, batik and other elements, combined with life practice and their own feelings to express the creation of the boundless charm of Chinese national color, for me to create inspiration, opened a new way of thinking.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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