“80后”水墨人物画语言浅析

发布时间：2018-03-04 04:00

本文选题：“80后”　切入点：水墨人物画　出处：《深圳大学》2017年硕士论文　论文类型：学位论文

【摘要】：随着水墨人物画创作的推进以及艺术市场的经营策略,各种展览层出不穷,微信、艺术网等新媒介的不断出现,更为水墨人物画创作领域营造了一个崭新的平台。日益壮大的“80后”青年艺术群体在这契机下也随之浮出水面。此时一些具有实验性、拓展性的青年艺术家已初步形成了自己独特面貌和审美品格,新思维、新表现的优秀作品脱颖而出。因此,艺术界“多元”、“跨界”、“融合”“创新”已成为不可逃避的现实,在水墨人物画的创作中,如何用当代人的艺术眼光重新审视传统绘画,又如何表现对当代社会文化现象的感知与思考,如何在传统文化与当代文化之间架起一座桥梁,从而寻找绘画观念和语言的当代转型也显得尤为重要,新一代的“80后”则承担这一转型的历史使命。所以,本文将研究对象定位在“80后”水墨人物画创作语言上,分析并探究“80后”水墨人物画创作语言在当代语境的表现,帮助我们更加清楚、认识与评价“80后”水墨人物画创作艺术,这也是本文的价值所在。本文围绕“80后”水墨人物画创作语言这一主题进行思考,试图分析总结在现实创作环境特征下“80后”独特的创作视角,并以创作视角为切入点和线索,以他们具体的绘画作品分析为主要的手段。在对当代水墨文化的新语境进行宏观性把握下,从笔墨、构图、造型、色彩四个方面进行具体分析,探析绘画作品的语言表现,并尝试总结“80后”水墨人物画语言的多元和动态的表征下发展特点,对其存在的问题得出自己的思考和认识。尽管“80后”水墨人物画的创作视角不同,但当代“80后”水墨画家作为一个充满时尚、浪漫的创作群体,时代赋予的内心细腻、个性张扬以及都市化、小资化等特点,虽艺术观念有别,但沉溺在自我青春体验和当代生存独立思考的叙事情境中,表现更加自我化、情绪化、私人化。一个人的心情、疑问和自我倔强、孤独跃然于纸上,像是自己心灵的日记指述心境,又像是在方寸间的画纸上设计了一个世界。这个世界游离在真实和虚构之间,但却是最大限度的自我真实。他们致力于当代人性披露与新语境下笔墨语言的独特个性探索上,注重从意象的创作方式把握现实本质,以虚幻、荒诞、卡通、寓言、玩乐等表现手法诉说本真的自我,主动汲取各种艺术文化元素丰富、拓展自我表达空间,呈现出碎片化、多元化、多层次的新的水墨时代。
[Abstract]:With the promotion of the creation of ink figure painting and the management strategy of the art market, various kinds of exhibitions emerge in endlessly, new media such as WeChat, Art Network, etc. A new platform has been created in the field of the creation of ink figure painting. The growing group of young people after the 1980s also surfaced at this opportunity. At this time, some of them are experimental. The expanding young artists have initially formed their own unique appearance and aesthetic character, new thinking and new performance of outstanding works stand out. Therefore, the art world "pluralistic", "cross-border", "integration" and "innovation" has become an inescapable reality. In the creation of ink figure painting, how to re-examine the traditional painting with the contemporary artistic vision, how to express the perception and thinking of the contemporary social cultural phenomenon, how to build a bridge between the traditional culture and the contemporary culture, and how to build a bridge between the traditional culture and the contemporary culture. In order to find the contemporary transformation of painting concept and language, it is particularly important that the new generation of "post-80s" bear the historical mission of this transformation. This paper analyzes and probes into the expression of the language of the "80's" ink figure painting creation language in the contemporary context, which helps us to understand and evaluate the "80's" ink figure painting creation art more clearly. This is also the value of this paper. This paper focuses on the theme of "after 80" ink figure painting creation language, trying to analyze and summarize the unique creative perspective of "post-80s" under the characteristics of real creation environment, and take the creative perspective as the breakthrough point and clue. Taking their concrete painting works as the main means. Under the macroscopic grasp of the new context of contemporary ink and wash culture, this paper analyzes the language performance of the painting works from four aspects, namely, pen and ink, composition, modeling and color. It also tries to summarize the characteristics of the development of the "post-80s" wash figure painting language under the pluralistic and dynamic representation, and to draw its own thinking and understanding of the existing problems. Although the "80" ink figure painting creative perspective is different, However, as a creative group full of fashion and romance, contemporary "post-80s" ink and water painters are endowed with delicate inner features, characterized by publicity of personality, urbanization and small capital, etc., although their artistic concepts are different. But indulging in the narrative context of self-youth experience and contemporary independent thinking of survival, it is more self-conscious, emotional, and personal. A person's mood, doubt, and self-stubbornness become lonely on paper. The diary of one's own heart means to describe the state of mind, but also to design a world on the drawing paper between square inches. The world drifts between the real and the fictional. They devote themselves to the exploration of the unique personality of the pen and ink language in the new context, and pay attention to grasp the essence of reality from the way of image creation, and use fantasy, absurdity, cartoon, fable, fable, fable, fantasy, absurdity, cartoon, fable, fable, fantasy, absurdity, cartoon, fable, etc. Play and other means of expression tell the true self, actively absorb a variety of artistic and cultural elements rich, expand the space for self-expression, presents a fragmented, diversified, multi-level new era of ink.
【学位授予单位】：深圳大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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