两宋山水画构图形式的比较研究

发布时间：2018-03-06 14:01

本文选题：宋代山水　切入点：构图形式　出处：《渤海大学》2014年硕士论文　论文类型：学位论文

【摘要】：两宋是中国山水画史上的鼎盛时期，，这一阶段里山水画有了巨大的发展。根据对两宋山水画构图形式这条线索的研究，可以清楚地认识到宋代山水画的发展轨迹。北宋山水构图形式和南宋山水画构图形式之间有巨大差异，这些差异既有时代的影响，也有山水画发展自身构成要素变化的影响。整体看来，两宋山水画之间的过渡是既有继承，又有发展的。首先，山水画的发展进入北宋，仍然延续唐朝五代的构图方式，在此基础上有所发展变化，不同于展子虔《游春图》将山水的空间处理为“咫尺之内，而瞻万里之遥”，也不同于李思训和李昭道父子侧重金碧青绿的装饰性，而是强化了高山大川的主导性，尤以范宽《溪山行旅图》为代表。其实，这种变化从唐代、宋代的画论中都能找到强有力的支撑。而程朱理学的发展要求一切都放在理性的天平上，认真观察自然，对山水画的真实表现也起到了推动作用。但是，到了南宋后，这种形势发生了很大转变。一方面，由于国土沦丧，带来了画家心理上的不平。这种不平和抑郁之气，以及对时代的认识，自然而然就反映在了绘画中。强调边景构图，强化笔法的刚劲有力，仿佛要在狭小的国土中迸发出悲愤之气息。从山水画的构图形式特点上来说，南宋的山水画由北宋的“全景山水”为主转换为“截景山水”为主。
[Abstract]:The Song Dynasty was the heyday of the history of Chinese landscape painting, and the landscape painting had a great development in this period. According to the research on the clue of the composition form of the landscape painting of the two Song dynasties, We can clearly recognize the development track of landscape painting in Song Dynasty. There are great differences between the composition form of landscape painting in Northern Song Dynasty and the composition form of landscape painting in Southern Song Dynasty. These differences have the influence of the times. As a whole, the transition between landscape painting in Song Dynasty is both inherited and developed. First of all, the development of landscape painting into the Northern Song Dynasty, still continue the Tang Dynasty and five dynasties of composition, on this basis has developed and changed, is different from the exhibition of "Spring Festival Pictures" to treat the landscape space as "within a distance," And the distance between the thousands of miles, "is also different from Li Si-hun and Li Zhaodao's father and son focusing on the decorative nature of Jin, Bi, and Green, but strengthens the dominant role of the mountains and the great rivers, as represented by Fan Kuan's" Hsi Shan Travel Map ". In fact, this kind of change took place in the Tang Dynasty. The development of Neo-Confucianism of Cheng and Zhu requires that everything be put on the balance of reason, observe nature carefully, and promote the true performance of landscape painting. However, after the Southern Song Dynasty, this situation changed greatly. On the one hand, due to the loss of the land, it brought about the psychological injustice of the painters. Naturally reflected in painting. Emphasis on the edge of the scene composition, strengthen the strength of the pen, as if to burst out in the narrow land of grief and indignation. From the landscape painting composition form characteristics, The landscape painting of the Southern Song Dynasty was transformed from the panoramic landscape to the clipping landscape.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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