实验水墨的当代语境研究

发布时间：2018-03-07 07:36

本文选题：水墨　切入点：当代性　出处：《湖南科技大学》2014年硕士论文　论文类型：学位论文

【摘要】：实验水墨当代语境研究，首先要搞清楚，什么是实验水墨？然后便是为什么能够在实验水墨这一个词组里出现当代语境？与其相对应的，在历史长河中是否曾经还出现过现代语境，近代语境，以及古代语境，这样整篇论文就明朗了，不管它秉承着什么样的思想，不管它是想要打破什么样的束缚，总之，它是建立在一定的传统意义基础之上的产物，没有基础，怎么去打破？最重要的是如果没有基础，那么我们要去打破的是个什么呢？这样，第一要素便新鲜出炉了。实验水墨，立足传统，打破传统，无可非议。艺术的传承性，打破传统，发展传统。传统水墨语言的局限性在信息膨胀的当下已经越驱严重。传统水墨语言的表现形式与日渐发展的当代社会审美需求越走越远。中国水墨艺术想要发展需要新鲜的血液，信息大爆炸，便捷的交通，地球村的形成，西方思想的渗入，给了国人更多的选择。水墨的本源属性受到越来越多的人重视。那么什么是水墨的本源属性？传统水墨有没有过多的重视其本源属性？我们熟知的中国画的工具有很多，最具代表性的便是笔、墨、纸、砚，传统水墨将水墨当成是笔、墨、纸、砚一样的使用，它只是创作的一种工具，反而忽略了其自成体系的本源构成。水墨本身是一种文化，一种最原始的艺术语言。笔墨当随时代，这句至理可以贯穿世界美术史。任何艺术形式都是时代的产物，每个时代的精神状态，社会风俗，人文地理，政治历史都不一样，不同的时代造就不同的艺术。放眼当下，传统水墨的表现形式与这提前到来的消费时代人们的审美需求越来越远，所以，新的艺术形式必然会产生，，这存在历史的必然性！
[Abstract]:To study the contemporary context of experimental ink, we should first find out, what is experimental ink? Then why can the phrase "experimental ink" appear in the contemporary context? Correspondingly, whether or not the modern context, the modern context, and the ancient context have ever appeared in the course of history, so that the whole paper becomes clear, no matter what kind of thought it inherits, no matter what kind of bondage it is trying to break, In short, it is based on a certain traditional meaning of the product, there is no basis, how to break? The most important thing is that if there is no foundation, then what are we going to break? In this way, the first element is fresh out. Experimental ink, based on tradition, breaking tradition, unassailable. The inheritance of art, breaking the tradition, Developing tradition. The limitation of traditional ink language has become more and more serious in the present time of information expansion. The expression form of traditional ink language is further and further away from the aesthetic demand of the developing contemporary society. The art of Chinese ink and wash wants to develop. Need fresh blood, Information Big Bang, convenient transportation, the formation of global village, the infiltration of western thought, has given people more choice. The original attribute of ink is paid more and more attention by more and more people. So what is the original attribute of ink? Does traditional ink pay too much attention to its original properties? We are familiar with the tools of Chinese painting, the most representative of which is the pen, ink, paper, ink stone. The traditional ink painting is used as a pen, ink, paper and inkstone. It is just a tool for creation. Ink itself is a culture, a primitive artistic language. Every art form is the product of the times. The spiritual state, social customs, human geography, and political history of each era are different. Different times bring up different art. Looking at the present, the expression form of traditional ink and ink is more and more far away from the aesthetic demand of people in this early consumer era. Therefore, the new art form will inevitably come into being, which has the inevitability of history!
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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