论当代中国工笔人物画中女性形象塑造

发布时间：2018-03-07 16:30

本文选题：中国工笔人物画　切入点：女性题材　出处：《中南民族大学》2013年硕士论文　论文类型：学位论文

【摘要】：中国工笔人物画历史悠久,它以精谨细腻的笔法描绘对象,给人以工整、细腻、严谨的感觉,特别是以女性作为题材的工笔画更是人物绘画中的一个重要组成部分。纵观历史,以女性为绘画创作题材屡见不鲜,自唐以来,中国工笔仕女画得到了空前的发展,以张萱、周f 为代表,通过他们对当时贵族妇女人物生活的种种描绘,使得当时女性题材的表现成为中国绘画发展史上的高峰。宋元以后,从审美形式到表现内容发生了较大变化,从某种意义上讲,女性题材的作品在数量和质量上也有所下降。但到明清两代,与儒家理学对中国社会影响相匹配,表现孱弱女子风格,形成了仕女画史上的又一个奇异的高峰。民国以后,西方写实主义、现代主义陆续影响中国绘画,包括女性题材均有改变。随着社会主义现实主义占据中国文化主流,女性形象与表现更是发生翻天覆地的变化。开放以来,随着西方文化的涌入,众多以工笔女性形象为创作题材的当代画家纷纷涌现,并且作品各有其风貌,如何家英的《秋瞑》、侯国良的《尘世红颜》、刘大为的《阳光下》等等。他们的作品在传统基础上,融入西方的绘画元素,与传统的女性形象相比,其变化是巨大的。本文将通过研究这些艺术家的作品,梳理传统女性形象的转变,试图揭开当代女性形象塑造这层面纱下的文化内涵。
[Abstract]:Chinese meticulous figure painting has a long history. It depicts objects with fine and exquisite strokes, giving people a feeling of neatness, delicacy and rigour, especially meticulous brushwork with women as subject matter is an important part of character painting. Throughout history, Since the Tang Dynasty, the fine brushwork painting of China has achieved unprecedented development, represented by Zhang Xuan and Zhou f, through their various depictions of the life of the aristocratic women at that time. Since the Song and Yuan dynasties, great changes have taken place from the aesthetic form to the performance content, in a sense, However, by the Ming and Qing dynasties, the influence of Confucianism on Chinese society was matched, and the weak woman's style was displayed, which formed another strange peak in the history of female painting. After the Republic of China, Western realism and modernism have influenced Chinese painting one after another, including the changes in women's themes. With socialist realism occupying the mainstream of Chinese culture, the image and performance of women have undergone earth-shaking changes. With the influx of western culture, many contemporary painters, whose subjects are meticulous female images, have emerged one after another, and their works have their own styles and features. How to "Qiumyu", Hou Guoliang's "earthly Beauty", Liu Dawei's "under the Sun" and so on. Their works are based on tradition and incorporate western painting elements, compared with traditional female images. By studying the works of these artists and combing the transformation of traditional female images, this paper tries to uncover the cultural connotations under the veil of contemporary female images.
【学位授予单位】：中南民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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